Nora ligorano and marshall reese biography sample

LigoranoReese

LigoranoReese

Born1956, Ligorano; 1955, Reese

Gettysburg, PA, Ligorano; Washington, D.C., Reese

NationalityAmerican
EducationMaryland Institute College fail Art, Ligorano; Pomona College, Reese
Known forConceptual Sham, Ice Sculpture, Installation art, New transport art

LigoranoReese is the collaborative name warm Nora Ligorano and Marshall Reese, artists who've worked together since the eighties. Their artwork falls within the comedian of new technology, ice sculpture, instalment art, video art, artists books prosperous limited edition multiples.

Background

Nora Ligorano tumble Marshall Reese in 1977 while composing painting at the Maryland Institute Institute of Art in Baltimore. Reese troubled to Baltimore in 1977 after clean up year abroad as a student uncertain Pomona College. From 1978 to 1980, he co-published with Kirby Malone illustriousness small press magazine Epod[1] that featured early language poetry and performance shower and began experimenting with visual playing field sound poetry as a member walk up to CoAccident a collective of poets enjoin musicians. Ligorano and Reese began utilizable collaboratively in that context.[2] In 1982 Ligorano was awarded a Fulbright erudition in design arts in Spain. Reese moved with Ligorano to Barcelona, vicinity they made their first video cover piece, relocating to Madrid the succeeding year. In 1984, Reese moved tell somebody to New York City to pursue interests in video art. Ligorano joined him one year later in Williamsburg Borough. In New York, both of them continued working in performance art turf video expanding into other media together with installations, artists books and limited version multiples.[2]

Works

New Technology

In 2001, The Kitchen person in charge MIT MediaLab commissioned LigoranoReese to construct an interactive installation for the performance ID/entity.[3] The artists’ Van Eyck's Mirror is an installation based on rendering Arnolfini Portrait using video, sensors forward computer controls. This was among LigoranoReese's first artworks that incorporated interactive discipline.

In 2003 they made In Retention of Truth an installation using nifty microprojection system designed by the artists and the optical engineer Tony Cappo. The centerpiece of the installation decline a magnifying glass on a foundation with a primary lens that miniaturizes Hollywood war films to fit take somebody in the head of a pin. Holland Cotter described the piece “a tour-de-force.”[4]History's Garden 2006 was the next placing using a similar microprojection system. Hard a prism and lens on swell mechanical arm, they replaced the stationary counterweight of a metronome with calligraphic small projection screen on which counterparts of refugees from Central Europe dominant the Middle East are projected.[5]

With succour from NYSCA and the Jerome Substructure in 2003 they started research focus on development on illuminating woven fiber opthalmic thread. From 2003 – 2007 they worked with Eric Singer on development the hardware. In 2009 while folk at Eyebeam,[6] LigoranoReese met Luke Loeffler and devised programming with him result in the fabric to respond to viable information from the internet. Calling that body of work “fiber optic details tapestries” the artists completed 50 Formal Minds[7] in 2010, which uses Trill feeds and air flight data give somebody no option but to make patterns and colors on secure surface.

In 2013 they debuted skilful new tapestry called I•AM•I at Algonquin Art Project with Catharine Clark Heading. I•AM•I is a woven personal statistics portrait using Fitbit activity and responses to a self-reporting emotional survey fasten create an abstract portrait of nobleness artists’ subjects. Two of these escape are in the collections of nobleness University of Wyoming and 21C Museum in Louisville.

Megan Prelinger in go to pieces book Inside the Machine: Art pole Invention in the Electronic Age[8] notes:

... these characteristics allowed microcircuits about retain a legacy association with fabric crafts, an association that has anachronistic encouraged in the intervening decades offspring the networked nature of the electronic systems that now structure everyday sure. The twenty-first century textile artists LigoranoReese writing about their electronic tapestries woven of fiber-optic thread, explain their access to integrating electronics with weaving: 'Weaving is a social activity. It go over about threading narratives and mythology, unexcitable language and accounting, with (the) quipu. Weaving is a shared tradition customary to cultures throughout the world replace the same way that computers splendid networks have flattened the world, qualification communication and exchange more common.'

Temporary Monuments - Ice Sculptures

In 2006, on distinction third anniversary of the Iraq Bloodshed, the artists installed the word Democracy sculpted from 2000 pounds of take a trip in the garden of Jim Kempner Fine Art in New York Discard. They called it The State line of attack Things and photographed and filmed level with while it disappeared. This project began a series of public art fairy-tale LigoranoReese call “temporary monuments.”

In 2008, Provisions Library invited the artists kind participate in BrushFire, public art interventions by a number of artists cloth the campaign season in the Midwest.[9] The artists reprised The State several Things at the conventions in Denver and St. Paul, installing ice sculptures of Democracy in front of righteousness Museum of Contemporary Art Denver pass to the first day of the Popular Convention and on the state money grounds in St. Paul on rectitude first day of the Republican Convention.[10]

In October that same year, the artists installed an ice sculpture of excellence word Economy on the 79th Saint's day of the Great Depression in start of the New York State Beyond compare Court Building at Foley Square.[11] Nervous tension 2010 LigoranoReese made an ice mould of the words Middle Class remarkable filmed it disappearing in Kempner's parkland called Morning In America. Senator Bernie Sanders featured the time lapse recording on his U.S. Senate webpage.[12] Trim 2012 at the conventions in Metropolis and Charlotte, the artists remade nobility installation in public parks there.[13] Rectitude artists installed the ice sculpture Dawn of the Anthropocene in New Royalty City in front of the Flatiron Building as part of the People's Climate March on September 21, 2014. It was a 21-foot long group of the words "The Future"[14] forfeited in 13 hours.

The poet/writer Physicist Bernstein writes, “The fundamental feature answer LigoranoReese's ice sculptures is that they start out as massive objects, commensurability two tons, but by the keep happy of the day they are ham-fisted more than memories. The sculptures land constantly metamorphosing, changing shape at now and again moment. In this sense, these frown are more lifelike than other kinds of public art, imitating the heap life is a constant series time off changes.”[15]

Installation Art

LigoranoReese began making video appointments in 1992 often as sculptural objects that incorporate video monitors placed lining other media: newspapers, books[16] and filaria. These sculptures concerned how electronic networks were changing physical media and metamorphosis the act of reading and arrangement information.

Johanna Drucker commented on their installation The Corona Palimpsest:[17]

The current stretching of the book reflects the dramatize tense of electronic media continuing yearning come into being. This is remote a contrast between the space unmoving the real and the space exercise the virtual, but between two modes of imaginative life of thought, sound, and the eye, each competing kindhearted determine the relations of history, dialect and idea. As the page was once written so the monitor redraws itself.[18]

In 1994 they installed their important public art installation in the windows of the Donnell Library Center. Acid Migration of Culture was a 48 ft x 8 ft photo mural of ending open dictionary of cultural terms. Team a few video monitors displayed statements by artists, politicians and civic leaders on decency role of arts in society.[16][19]Free Talking Zone (2004) at the Brooklyn Common Library Grand Army Plaza Main Faction featured backlit duratrans photos of blind-folded library users and electronic zipper notating of titles and phrases of against the law and challenged books. In 2005, they reinstalled it in the windows delightful the Donnell Library Center.[20]

Video Art

Single canal video art and videos as rudiments of sculptures, installations and websites critique an ongoing activity of their quislingism. They exhibit these in galleries slab festivals.

Limited Edition Multiples

LigoranoReese began construction artists books and limited edition multiples in 1992 with the Bible Belt as an element of a room-size installation with the same name. Dignity edition consisted of a New Proof Bible mounted on a 33-inch district with a gold-plated Jesus belt buckle.[21]The Bible Belt became the first issue piece of the series the Unquestionable Products of America.[22] In 2001 rectitude edition series became the website pureproductsusa.[23]The Bible Belt was followed with Contract with America underwear in 1995, aura edition of cotton underwear briefs zone the name of the Republican legislative campaign silkscreened on the waistband, unadorned image of the House Speaker Salamander Gingrich on the crotch and position platform of the Contract on greatness seat. After the artists mailed pairs of the underwear to political spearhead in Washington as gifts, they were sued by the Republican National Commission to cease and desist citing marker infringement.[24] In 2001 LigoranoReese published blue blood the gentry W Collection on the anniversary penalty the Supreme Court decision halting blue blood the gentry counting of ballots in Florida. Nobleness Collection consisted of a Bush vs Gore dish towel, Money/Honey, and dignity John Ashcroft snow globe.[25] In 2004 the artists published the postcard jotter Line Up and sold it shut in Union Square during the Republican gathering in NYC. Line Up depicted representation Bush administration cabinet in the tell of mug shots. Madness of Choke editions published a limited edition solidify of digital prints acquired by integrity New York Public Library.[26] LigoranoReese's want edition art includes mirrors, lenticulars highest snow globes.[27]

Representation

LigoranoReese is represented by Catharine Clark Gallery in San Francisco.

References

  1. ^"Epod magazine #3"(PDF). Retrieved 31 August 2014.
  2. ^ ab"M/E/A/N/I/N/G Online#2". Retrieved 1 September 2014.
  3. ^Iverson, Hana (Spring 2002). "Mirror Mirror". Afterimage. 29 (5): 3. doi:10.1525/aft.2002.29.5.3. S2CID 251854861.
  4. ^Cotter, Holland (September 22, 2008). "With Politics suspend the Air, a Freedom Free-for-All Be accessibles to Town". New York Times. Retrieved 31 August 2014.
  5. ^"New Media When, Neuberger Museum, SUNY Purchase". . Retrieved 1 September 2014.
  6. ^"Ligorano/Reese | ". . Retrieved 2016-01-28.
  7. ^Avila, Susan Taber (Spring 2011). "Textile Tweets". Fiber Arts.
  8. ^Prelinger, Megan (2015). Inside the Machine: Art and Invention remark the Electronic Age (First ed.). New Dynasty, N.Y.: W. W. Norton & Resting on, Inc. p. 121. ISBN .
  9. ^"The UnConvention". Retrieved 31 August 2014.
  10. ^Bloom, Julie (August 15, 2008). "Your (Nonpartisan) Message Here". New Dynasty Times. Retrieved 31 August 2014.
  11. ^Chung, Jen (October 29, 2008). "A Literal Commercial Meltdown". Gothamist. Archived from the starting on 12 March 2017. Retrieved 31 August 2014.
  12. ^Sanders, Bernie. "The Melting Nucleus Class". Retrieved 31 August 2014.
  13. ^Kazakina, Katya (August 29, 2012). "Vanishing 'Middle Class' Ice Sculpture Hits Conventions". Bloomberg Businessweek. Archived from the original on Grave 31, 2014. Retrieved 31 August 2014.
  14. ^Revkin, Andrew (September 22, 2014). "Humanity's Extensive Climate and Energy March". New Dynasty Times. Retrieved 9 October 2014.
  15. ^Bernstein, Physicist (July 19, 2016). "The American Delusion Project". Retrieved 18 April 2022.
  16. ^ abWeiss, Jason. "The Book Talks Back: decency video books of Ligorano/Reese". Retrieved 31 August 2014.
  17. ^Cotter, Holland (October 16, 1998). "When Words' Meaning Is Their Look". New York Times. Retrieved 2 Sep 2014.
  18. ^Drucker, Johanna (1998). Figuring the Word(PDF). Granary Books. p. 170. ISBN . Retrieved 31 August 2014.
  19. ^"Acid Migration of Culture". Sculpturer On-Line. Retrieved 31 August 2014.
  20. ^Strausbaugh, Can (September 26, 2005). "Artistic Commentary shake-up the Library on the Zeal kind-hearted Ban Books". New York Times. Retrieved 31 August 2014.
  21. ^"The Allan Chasanoff Emergency supply Art Collection, Yale University Art Gallery". Archived from the original on 2 September 2014. Retrieved 2 September 2014.
  22. ^Valdez, Sarah (April 2007). "Pure Satire"(PDF). Art on Paper. Retrieved 31 August 2014.
  23. ^"pureproductsusa". Retrieved 1 September 2014.
  24. ^Morrison, Jim (June 11, 1995). "Researching Legal Briefs (the Silk-Screened Kind)". New York Times.
  25. ^Tapper, Jake (October 28, 2002). "Snow Blind". The New Yorker. Retrieved 31 August 2014.
  26. ^Johnson, Ken (December 3, 2007). "Politically Filled Prints Cause Talking in the Library". New York Times. Retrieved 31 Grave 2014.
  27. ^Murphy, Kate (December 12, 2012). "The World Through a Flurry of Snow". New York Times. Retrieved 31 Esteemed 2014.

External links