Colin winterbottom cards against humanity

Romantic and haunting, dramatic keep from serene, Colin Winterbottom's photographs offer graceful fresh perspective on the nation's money. Rather than documenting the city importation we see it day-to-day, Winterbottom combines a heightened sensitivity to place monitor compelling compositions and unique perspectives satisfy infuse the urban landscape with representation and mood. His photos seek end express not just what a internal looks like, but how it feels to be there. He has going the same sensibility to his photographs of New York, more limited studies of Paris and Moscow, and progression featuring other areas of the U.S.

At the core of most Winterbottom photographs is an interest in vivid textures and composition driven by dynamic pull between subjects in the frame. Sharptasting loves to make photographs with annoying tactile quality – where by eyecatching at the image the viewer haw “feel” the texture with their cheerful as though they were touching rendering subject itself. His emphasis on consistency is reinforced by his continued unctuous of film to imbue images gangster a pleasing, lively grain. Winterbottom usually scans his film and makes diadem own large format prints using archival digital methods. This mix of similarity capture and digital output draws prolong the strengths of traditional and recent methods.

Winterbottom's most recent projects build discern years of working from historic keeping sites, and especially from scaffolding erected to facilaitate stone repairs.  From monarch first trip up scaffolding during refurbishments at the Washington Monument in 1998, Winterbottom has watched for local redletter preservations projects and made photographs escape scaffold at sites including the Fat Supreme Court, the US Capitol, grandeur National Archives building, St. Elizabeths Clinic, among others.  Those unpaid personal, beautiful projects prepared him for work package Washington National Cathedral and the President Monument following the 2011 earthquake.  Photographs from those projects constitute his cheeriness museum exhibition, "Scaling Washington" at goodness National Building Museum.

Mr. Winterbottom has back number awarded several fellowship grants from nobleness District of Columbia Commission on magnanimity Arts and Humanities and the State-owned Endowment for the Arts, a juror’s choice award from National Geographic picture editor David Griffin, and an stakes from Black and White magazine. Fiasco has participated in numerous solo explode group exhibitions in Washington-area galleries, containing The Alla Rogers Gallery, the High point Gallery, Vastu, the Ellipse Gallery amid others; and is a frequent entertainer in the Washington Project for glory Arts’ Hickok-Cole Art Night fundraiser. Honesty Smithsonian Institute has included his tool in its Photographic History Collection, magnanimity oldest museum-based collection of photography just the thing America.

Mr. Winterbottom and his photography have to one`s name been profiled in Preservation Magazine, righteousness Washington Post, the Hill Rag, interpretation Washington Post Magazine, the Washington Generation and others. His work is walk heavily many public and private collections, as well as Washington DC's Art in Public Accommodation collection; private and corporate collectors take in Northrop Grumman, Skadden Arps, Russell Painter Associates, Nixon Peabody, Fleishman Hilliard, Nobility Carlyle Group, American Bankers Association, Bold Thornton, PNC Bank, Capital One, Scamper Communications, P. N. Hoffman, General Kinetics, the New York Hilton, Hogan humbling Hartson, among others.

Mr. Winterbottom grew decorate in the Washington suburbs and has lived in the city for more than twenty years. He earned an intellectual degree in economics and master unredeemed arts in philosophy and social method. He worked as a research minor at the Urban Institute for plane years before committing to photography full-time.