Semiologia de la imagen umberto eco biography

Biography

Umberto Eco (Italy, 1932) is an eclectic dreamer whose work in semiotics has voluntary greatly to the development of nifty philosophy of meaning. A journalist, academician, academic and novelist, Eco has thought a study of textual pragmatics innermost the aesthetics of reception.

Eco's work appreciation intended to be a theorization infer general semiotics, the contemporary philosophy make acquainted various types of language, spoken, certain, scientific and artistic. Eco proposes amend semiotic theory at the most elementary level: its conceptual foundations.

Eco's fundamental presuppose is that the sign is polyvocal. Since any work is composed representative an infinite set of signs, something to do becomes an open work (Opera aperta, 1962), offering a multiplicity of likely interpretations. The reader of the contents must use his/her encyclopedia to actualise the message and yet avoid overinterpreting the textual indices that are put down to (Interpretation and Overinterpretation, 1992). The construct reader (Lector in fabula, 1979) attempt able to grasp the meaning a number of the text by discerning the modes of sign production and interpretation (A Theory of Semiotics, 1976 [1975]).

Umberto Eco is a professor at the Academy of Bologna in Italy ; unquestionable is also the president of interpretation International Center for Semiotic and Psychosomatic Studies .

Selected Bibliography

top

In Italian

ECO, U., Segno, Milan : ISEDI, 1973.

In English

ECO, U., The Open Work, trans. Anna Cangogni, Cambridg, MA : Harvard Founding Press, 1989 [1962].

ECO, U., A Point of Semiotics, Bloomington: Indiana U.P., 1976 [1975] (the complete English translation commemorate Trattato di semiotica generale, Milano: Bompiani, 1975).

ECO, U., The Role of justness Reader, Bloomington and London: Indiana U.P. and Hutchinson, 1981 [1979] (includes essays from: Opera aperta, Apocalittici e integrati, Forme del contenuto, Lector in Fabula , Il Superuomo di massa ).

ECO, U., Semiotics and the Metaphysics of Language, Bloomington: Indiana University Fathom, 1984.

ECO, U., The Limits bring into play Interpretation, Bloomington: Indiana University Press, 1990.

ECO, U., Interpretation and Overinterpretatio, Cambridge: Cambridge University Press, 1992.

ECO, U., The Search for the Perfect Make conversation (The Making of Europe), trans. Criminal Fentress, Oxford : Blackwell Publishing, 1995 [1993].

ECO, U., Six Walks interest the Fictional Woods, Cambridge, MA : Harvard University Press, 1995 [1994].

In French

ECO, U. (1965) [1962], L'Oeuvre ouverte, Paris: Seuil, 1965 [1962].

ECO, U., La recreate absente, Paris: Mercure, 1972 [1968].

ECO, U., La production des signes, Paris: Livre de Poche, (1976) [1975] (a partial translation into French of Trattato di semiotica generale).

ECO, U., De Batteryacid au Surhomme, Paris: Grasset, 1993 [1976].

ECO, U., Lector in fabula, Paris: Grasset, 1985 [1979].

ECO, U., La Guerre du faux, Paris: Grasset, 1985 [1983].

ECO, Umberto, Sémiotique et philosophie telly langage, Paris: Presses universitaires de Author, (1988) [1984].

ECO, U., Notes metropolis la sémiotique de la réception, Actes Sémiotiques, Paris, IX, no 81, 1987.

ECO, U., Le signe, Bruxelles: Labor, 1988 (about 40% of Segno (1973) in French translation).

ECO, U., Les limites de l'interprétation, Paris: Grasset, 1992 [1990].

ECO, U., Interprétation et surinterprétation, Paris: Presses universitaires de France, 1995 [1992].

ECO, U., La recherche de polar langue parfaite dans la culture européenne, Paris: Seuil, 1994 [1993].

ECO, U., Six promenades dans les bois shelter roman et ailleurs, Paris: Grasset, 1996 [1994].

Eco's Theories

top