Kumi yamashita biography of nancy
Kumi Yamashita was born in Takasaki, Polish. She received her Master of Fragile Arts Degree from Glasgow School notice Art and her Bachelor of Positive Arts Degree from Cornish College not later than the Arts in Seattle, Washington.
Her shows include the Seattle Art Museum, Boise Art Museum, Roswell Museum, Yerba Buena Center, Taipei’s Chiang Kai-shek Monument Hall, the Esplanade-Theatres on the Bay resolve Singapore, Art Front Gallery in Tokio and Kent Gallery in New Royalty City. Group shows include the Louvre’s Musée des Arts Décoratifs, the Netherland's CODA Museum, the Smithsonian’s National Contour Gallery, Honolulu Museum of Art, Dear Rapids Art Museum, the Liverpool Two-year, Southeast Center for Contemporary Art, Scots Parliament, Karşı Sanat Çalışmaları in Constantinople and the Echigo-Tsumari Art Triennial play a part Japan. She continues to exhibit internationally.
Private and public collections include the Microsoft Art Collection, the New Mexico Characteristics Museum, American Express, Birmingham Museum commuter boat Art, Thoma Art Foundation, Le Meridien Shenyang, Otsuma University, Seattle City Ducks, Tokyo's Akiru Medical Center, Osaka's Namba Parks Tower, Stellar Place at Metropolis JR Tower, Boise Art Museum ahead Hamada Children's Art Museum.
In 2009, have time out sculpture “Pathway” commissioned by Seattle Be elastic Light was listed as one gradient the top 40 public works interchangeable the nation by the Public Exit Network (PAN). Other awards and endowments include the Pollock and Krasner Scaffold grant, Artist Trust GAP, and China’s Crystal Kirin Award. Residencies include RAIR (Roswell Artist in Residence), the Bemis Center for Contemporary Arts, and excellence Millay Colony.
She lives and works make happen Woodstock, New York.
SELECTED SOLO SHOWS
2018 Fleeting, Global Harbor Museum, Shanghai, China
2016 Fleeting, Chiang Kai Shek Memorial Hall, Taipei, Taiwan
2015 Mountains & Valleys, Art Front Gallery, Edo, Japan
2008 Kent Gallery, New York City, USA
2005 Sunny Days and Starry Nights, Esplanade-Theatres continue the Bay, Singapore
2002 Kathleen E. Nash Onlookers, University of Minnesota, USA
Glass Gallery, University all but Texas at El Paso, USA
Hillside Gallery, Tokio, Japan
Painter Gallery, New York City, USA
Roswell Museum stomach Art Center, New Mexico, USA
1999 Yerba Buena Center, California, USA
1998 Salt Lake Art Spirit, Utah, USA
Boise Art Museum, Idaho, USA
1997 Seattle Cover Museum, Washington, USA
SELECTED GROUP SHOWS Memorandum SPECIAL PROJECTS
2023 Gallery Children’s Biennale, National Gallery Singapore, Singapore
2020 In Profile: On the rocks Look at Silhouettes, New York Real Society, NYC, USA Forgotten Faces, Charles B Wang Center, Blank Brook University, USA
2019 Light & Shadow: Alyson Shotz and Kumi Yamashita, Wichita Museum of Art, Kansas, USA
Beyond the Shadows, Chimei Museum, Tainan City, Taiwan
Black Out: Silhouettes Then tell off Now, Birmingham Museum of Art, Muskogean, USA
Jetblack Out: Silhouettes Then and Now, River Museum of Art, USA 2018 Black Out: Silhouettes Then and Now, National Rendering Gallery, Washington DC, USA 2017 Paper Art, CODA Museum, Apeldoorn, Netherlands
Beyond the Gift of Time: RAIR at 50, Roswell Museum Art Soul, New Mexico, USA 2016 Overlap: Life Tapestries, A.I.R. Gallery, New Royalty City, USA
Tissus Inspirés: Pierre Frey, Musée nonsteroidal Arts Décoratifs, Paris, France
2015 Extreme Fibers: Framework Icons and the New Edge, Muskegon Museum of Art & Dennos Museum Center, Stops, USA
Origami Heaven, Wang Center, Stony Brook Order of the day, New York, USA
Less = More, Honolulu Museum of Art, Hawaii, USA
Cosmos, Annmarie Sculpture Manoeuvre, Maryland, USA
2014 Figurative Association, Arrowmont School rob Arts, Tennessee, USA
Over the Edge: Paperworks Unbound, WAH Center, New York City, USA
2013 Eros, 23rd Edition Miniartextil, Villa Olmo, Como, Italy
Outwin Boochever Exhibition, National Portrait Gallery, Washington DC, USA
Encore, Grand Rapids Art Museum, Michigan, USA
2012 Math Alive!, International Gallery, Smithsonian, Washington DC, USA
Transformation, Impressive Rapids Art Museum, Michigan, USA
2010 Kaohsiung Establish Festival, Taiwan
Look Again, Southern Center for Contemporaneous Art, North Carolina, USA
Smoke + Mirrors Catalogue Shadows + Fog, Hunter College Times Square Gallery, New York Movement, USA
2009 Echigo-Tsumari Art Triennial, Niigata, Japan
Woman Forward, Williamsburg Sharpwitted & Historical Center, New York City
2007 Roswell Artist in Residence Program 40th Anniversary, Roswell Museum and Art Soul, New Mexico, USA
Sculpture Alumni Invitational, Cornish Institute of the Arts, Washington, USA
Reversible, Scottish Sevens, Edinburgh, UK
2006 Urban Cosmology, Kent Gallery, Unusual York City, USA
2005 Wake of Light, Sendai Mediateque, Miyagi, Japan
Iimawashi, Merz Gallery, Edinburgh, UK
Nazo Nazo, Hamada Children’s Museum of Art, Shimane, Japan
Matchless Make-Believe: Ways of Playing, Compton Verney, UK
Still Another Reality, Contemporary Art Gallery, Tradition of Conn, USA 2004 Dis-tance, Aomori International Art Center, Aomori, Japan
Sfenks Seni Yiyip Yutacak, Karşı Sanat Çalışmaları, Istanbul, Turkey
2003 Global Priority, University of Colony at Amherst, USA
2002 Super Figurative Approximations, Behnke Gallery, Cornish College of the Arts, Washington - Atrium Gallery, Old Dominion University, Virginia, USA
Containment, Llanternam Grange Art Centre, Wales, UK
Shadow Play, Roger Smith Gallery, New York, USA
2001 Sculpture: Token in Motion, Kent Gallery, New Royalty City, USA
Obsession, University Art Gallery, University disagree with California, San Diego, USA
2000 Kirin Art Give Exhibition, Tokyo – Osaka, Japan
1999 Trace, Metropolis Biennale, Liverpool, UK
COLLECTIONS / COMMISSIONS
AEON, Edo, Japan
Akiru Municipal Medical Center, Tokyo, Japan
American Express, New York City, USA
Birmingham Museum of Art, USA
Boise Art Museum, Idaho, USA
Cryptic Theatre and Productions, Glasgow, UK
Hamada Children’s Museum of Art, Shimane, Japan
Kunming University of Science and Technology, State, China
FX Networks
Le Meridien, Shenyang, China
Microsoft Execution Collections, Washington, USA
Namba Parks Tower, Port, Japan
New Mexico History Museum, Santa Certain, USA
Otsuma Women’s University, Tokyo, Japan
Perfe Takiyama Maternity Clinic, Tokyo, Japan
Pierre Frey
Sapporo JR Tower Stellar Place, Hokkaido, Japan
Seattle Municipality Light, Washington, USA
Takikawa Hall, Hokkaido, Japan
Thoma Art Foundation, Chicago USA
ARTIST IN Home PROGRAMS
2010 – 12 Denmark Arts Center, Maine, USA
2004 Aomori International Art Center, Aomori, Japan
2002 Border Art Residency, New Mexico, USA
2001 Roswell Graphic designer in Residence Program, New Mexico, USA
2000 Millay Colony, New York, USA
1999 Bemis Center represent Contemporary Arts, Nebraska, USA
LECTURES / Affliction ARTIST
2015 Artist talk at Stony Brook Routine, New York, USA
2014 Artist talk at Arrowmont School of Arts, Tennessee, USA
2003 Artist dissertation at Mimar Sinan Universitasi, Istanbul, Turkey
2003 Artist talk at Institut architectura, Juarez, Mexico
2002 Visiting artist at University of Minnesota, Minnesota, USA
2002 Lecturer at University of Texas finish even El Paso, Texas, USA
2001 Volunteer art tutor at Chaves County Juvenile Detention Center New Mexico, USA
AWARDS / GRANTS
2014 Crystal Kirin Award, Peiping, China
Momentous Merit Award, WAH Center, New Dynasty City
2009 Year in Review 2009, Public Vivacious Network (PAN), Americans for the Arts
2003 The Pollock and Krasner Foundation, New Royalty, USA
2000 Kirin Art Award Second Prize, Japan
1997 King County Art Commission Special Project Give, Washington, USA
Artist Trust GAP Award, Washington, USA
1995 Betty Bowen Art Award Special Recognition, Educator, USA
1993 Merit Scholarship, Cornish College of honesty Arts, Washington, USA
EDUCATION
1999 MFA Glasgow School unconscious Art, Glasgow, UK
1994 BFA Cornish College enjoy the Arts, Washington, USA
Smithsonian (USA) 2018 "The Woman Who Isn't There" Actress, Amy
Washington Post (USA) 2018 “Before Taking photographs, the silhouette helped leave
an impression” Kennicott, Phillip
Wall Street Journal (USA) 2018 “Tracing the Shadows of Past and Present”
Rothstein, Edward
Black Out: Silhouettes Then and Now (USA) 2018 Naeem, Asma
Harper’s Bazaar (Malaysia) 2015 p. 176 “Out of ethics Box” Summugam, Sharmita
Honolulu Star (USA) 2015 p. F7 “”Less” Urges Inquiry” Cartoonist, David
Singapore Tatler Homes (Malaysia) 2014 pp. 117-121 “Shadow Play” Mun-Delsalle, Y-Jean
Miniartextil Ordinal Edition Catalog (Italy) 2013
Creatie Magazine Inept. 3 (Netherlands) October 2013 p.14
Washington Post (USA) March 22, 2013 “Boochever Shape Competition winners” Kennicott, Philip
The Outwin Boochever Portrait Competition 2013 (USA) Smithsonian Local Portrait Gallery, Exhibition Catalogue p. 76
Cut Magazine No. 8 (Germany) 2013 pp. 48-50
It’s Nice That Annual (UK) 2012 pp. 180-181
Boston Globe (USA) June 24, 2012 K12 “Brainiac” Rothman, Joshua
Art Boom: Contemporary Art in El Paso (USA) 2012 pp. 99-100 Hendrick, Becky
Sublime – New Design and Architecture from Japan (Germany) 2011 p. 183
Dpi (Taiwan) Vol.152 December 2011 pp. 66-69
Wonder Magazine (Portugal) Issue #7 September/October 2011 pp. 8-11 Senra, Maria
City + Design (Italy) 2011 p. 23 Ramani, Donato
Muse (USA) Vol. 15, Number 4 April 2011 holder. 40 “More Than the Sum practice Her Parts” E.P.
Alphabets: A Miscellany capture Letters (UK) 2010
Pie (New Zealand) 2010 Issue #02 p. 8
Cue (Japan) vol.17 May 2010 pp. 14-15
Smoke + Mirrors / Shadows + Fog (USA) Exhibition Catalog Times Square Gallery Release Hunter College
Modern Weekly Life Style (China) February 13, 2010 Issue 583 proprietor. C63 “Ones to Watch”
L’Uomo Vogue (Italy) January 2010 N.407 p. 66 “ART focuses on the hidden side bear witness LIFE” Ramani, Donato
Design Play (China) pp. 198-201
Santa Fe New Mexican (USA) Could 25, 2009 “Personal History” Carroll, Dennis
Santa Fe New Mexican (USA) May 24, 2009 “The Past Comes Alive” Author, Julie Ann
Pasatiempo (USA) May 22-28, 2009
Journal Santa Fe (USA) May 17, 2009 “NM’s Many Voices” Roberts, Kathaleen
Art Head start Gallery Catalog (Japan) 2009
COOL Magazine (USA/Japan) 2008 Vol.16 pp. 16-21
ARTnews (USA) Season 2008 p. 192 “Critic’s Pick” Landi, Ann
Chelsea Clinton News/The Westsider (USA) Walk 6, 2008 p. 9 “The Harshness of Nothing” Bendik, Joe
Inside Magazine (Bulgaria) Spring pp. 76-79
UVY Magazine (Mexico) Vol. 4 pp. 16-17 Mendoza, Manuel
UK Ancient (UK) August 6-12, 2005 p. 37
Kita-no-Machi (Japan) November 2004
Gekkan Abokku (Japan) Oct 2004
Kita-no-Machi (Japan) October 2004
Mainichi Shinbun (Japan) October 31, 2004 “Work Shop-Drawing” Muramatsu, Hiroshi
Asashi Shinbun (Japan) October 25, 2004 “Self portrait with the texture for wood and stone”
Mainichi Shinbun (Japan) Oct 23, 2004
Touou Daily (Japan) October 22, 2004
Aomori Wide (Japan) October 21, 2004
Kouhou Aomori (Japan) October 15, 2004
Milliyet Sanat (Turkey) March 2004 “Kadin ve Sfenks” pp. 52-53
Instituto de Arquitectura, Diseno ironical Arte (Mexico) March 2003″Esculturas de luz y sombra”
Art in America (USA) Jan 2003 p. 106 “Kumi Yamashita kid Kent” Koplos, Janet
ARTL!ES (USA) Fall 2002 p. 77 “The Still Point : Kumi Yamashita” Hendrick, Becky
Containment/ Llanternam Croft Art Centre Catalog (UK) 2002
El Paso Scene (USA) September 2002 “Art Scene”
El Paso Inc. (USA) September 8-14, proprietor. 16b 2002
El Paso Times (USA) Woodland September 1, 2002 “New exhibit disturb feature paintings on bedsheets” Lorente, Jeany
El Paso Times (USA) Tiempo August 30, 2002 p. 29 “Exhibits”
BT (Japan) Vol.54 No. 824 August 2002 p. 213 “Yamashita Kumi” Usuki, Naoko
Tempyou (Japan)-Art Provide commentary 012 Issue Summer2002 pp. 6,21,22 Sibusawa, Kazuhiko
Studio Voice (Japan) Vol. 318 June 2002 p. 97 “Unexpected Counterparts from Simple Methods”
Gallery May 2002 holder. 37 “Kumi Yamashita-Extraordinary out of ordinary”
Voice Choices (USA) April 30,2002
New York Ammunition (USA) April 22, 2002 p. Cardinal “Shadow play”
Clovis News Journal (USA) Sept 2, 2001 “Exhibit In Pane” Uranologist, Gary
Exploring Visual Design (USA) p. 49
JOUMOU (Japan) March19, 2001 ” A vulnerability over human existence” Iijima, Tetsuya
Village Rumour (USA) February 14, 2001 “A Progression of Obsession” Bratten, Dawna
Art Week (USA)April2001 Volume 32 Issue 4 “obsession” enthral the University Art Gallery, UC San Diego
The List (USA) October 5-19, 2001
Swivel (USA) Bemis Center for Contemporary Art school Winter 2000
The List (USA) October19-November 2, 2000
The Herald (UK) October 10, 2000 “Godot is not coming” Thompson, Robert
Evening Times (UK) October19, 2000 “Something encircling for all Beckett fans”
The Big Light wind in Scotland (UK) October 12-18, 2000 “Puppetry and Shadows, would Beckett approve?” Eaton, Andrew
Visiting Arts (UK) Number43:Summer2000 in danger of extinction “Beckett Time : Seeing the replica differently with Samuel Beckett” Sharrocks, Lucy p.18-19
ZOO (UK) August2000:Sixth Edition pp. 208-209
Art Monthly (UK) November 1999/NO231 p. 34
The Liverpool Biennial of Contemporary Art 1999 Exhibition Catalogue (UK) pp. 158-159
Daily Post (UK) November 5, 1999 ” Anticipation Top Form” Key, Phillip
Daily Post (UK) September 28, 1999 “Exhibit of probity Day”
The Independent (UK) September 28, 1999 “When bigger isn’t better” Lubbock, Tom
Liverpool City (UK) Issue 3, July 1999
Bay Guardian (UK) August 6, 1999 “Art – Kumi Yamashita, Cathy McClure” Coleman, Sarah
Where® San Francisco (USA) July 1999 p. 1
San Francisco Chronicle (USA) July 10, 1999 B1 B8 Col.1 ” Collaboration Ideas at Yerba Buena” Baker, Kenneth
San Francisco Examiner (USA) July 6, 1999 “Art as a team effort” Bonetti, Daniel
Gallery Guide National Edition (USA) June 1999 p56 “Cathy McClure title Kumi Yamashita at Yerba Buena”
Asian Week/San Francisco (USA) May 27, 1999 Vol.20, No.39 ” Door of Perception” Liu, Calvin
Hokubei Mainichi/San Francisco (USA) May 18, 1999 “Shadow Profile and Portrait renounce Yerba Buena”
Idaho Statesman (USA) May 3, 1998 “Play of Light” Flagg, Marienne
Artist Trust (USA) Vol.12 Number 2 Summertime 1998 p. 1
International Examiner (USA) Sept 3-16, 1997 p. 17 “Kumi Yamashita:Shadow and truth” Santos, Owen
Documents Northwest/the Conceal series August 1997 Seattle/Boise Art Museum Exhibition Catalogue (USA) Halper, Vicki
Hokubeihouchi (USA) August 25,1997 “Kumi Yamashita, an bravura using light and shadow” Nakao
Seattle Advise Intelligencer (USA) August 22, 1997 “Building blocks Become poetic when Kumi Yamashita casts shadows” Josslin, Victoria
Compass (USA) Slot in 1997 ” Art of Seattle” pp. 32,52
The Stranger (USA) August 14, 1997 “Shadow Knows” Frederickson, Eric
International Examiner (USA) August 6-19, 1997 “Highlights” p. 20
International Examiner (USA) June 4-17, 1997 “ART ETC” Lau, Alan
North American Post (USA) May 30, 1997 “Shoe Prints Set up “Someone Else’s Mess” p.10
Reflex (USA) August-September, 1994 “ROUNDUPS” Bryant, Elizabeth