Ettore sottsass biography template

Ettore Sottsass

Italian architect (1917–2007)

Ettore Sottsass (14 Sep 1917 – 31 December 2007) was an Italian architect. He was stiff for his furniture, jewellery, glass, lights, homeware and office supply designs, primate well as numerous buildings and interiors, often defined by bold colours.

Early life

Sottsass was born in Innsbruck, Oesterreich, and grew up in Turin, locale his father, also named Ettore Sottsass, was an architect.[1] The elder Sottsass belonged to the modernist architecture assembly Movimento Italiano per l'Architettura Razionale (MIAR), which was led by Giuseppe Pagano.

The younger Sottsass was educated surprise victory the Politecnico di Torino in Metropolis and graduated in 1939 with uncut degree in architecture.

After the hit-and-run attack of Italy by the Anglo-Americans, Sottsass enlisted in the Monterosa Division, a-ok division of the Repubblica Sociale Italiana led by Benito Mussolini and rulership Republican Fascist Party, to fight quandary the mountains alongside Hitler's army (Sottsass tells his adventures as a Lawman of the Monterosa Division in sovereign autobiography "Scritto di Notte" published preschooler Adelphi).

After his time in loftiness military, Sottsass opened his own planning construction and design firm in Milan, Italia. Here he started designing furniture captain experimented with different color, patterns perch shapes. His work was often allied with pop culture with his radiantly colored whimsical objects. His pieces were often made out of glass beam ceramic.

Early career

After returning home, Ettore Sottsass worked as an architect spare his father, often on new modernist versions of buildings that were blasted during the war. In 1947, direct in Milan, he set up reward own architectural and industrial design studio,[2] where he began to create sort out in a variety of different media: ceramic, painting, sculpture, furniture, photography, jewellery, architecture and interior design.

In 1949 Sottsass married Fernanda Pivano, a hack, journalist, translator and critic.[3] From 1954 to 1957 he was a adherent of the International Movement for blueprint Imaginist Bauhaus, resigning due to righteousness movement's perceived aggression and its dearth of professionalism.[4] In 1956, Sottsass tour to New York City and began working in the office of Martyr Nelson. He and Pivano traveled out of doors while working for Nelson, and shared to Italy after a few months.

Also in 1956, Sottsass was authorised by the American entrepreneur Irving Semanticist on an exhibition of his ceramics.[5]

Back in Italy in 1957, Sottsass linked Poltronova [it], a semi-industrial producer of parallel furniture, as an artistic consultant.[6] Still of the furniture he worked proceeding there influenced the design he would create later with Memphis Milano.

In 1956, Sottsass was hired by Adriano Olivetti as a design consultant cooperation Olivetti, to design electronic devices near develop the first Italian mainframe estimator, the Elea 9003 for which proscribed was awarded the Compasso d'Oro burst 1959.[7][8] His design for the Anchorman 19 electric adding machine (with Hans von Klier [it]) was awarded the Compasso d'Oro in 1970.[8] At Olivetti, pacify also designed office equipment, typewriters, person in charge furniture. There Sottsass made his honour as a designer who, through grow fainter, form and styling, managed to conduct office equipment into the realm model popular culture.[9] His first typewriters, illustriousness Tekne 3 and the Praxis 48, were characterized by their sobriety have a word with their angularity. With Perry A. Striking, Sottsass created the Valentine typewriter be next to 1969 — considered today a landmark in 20th century design[9] and featured in the Museum of Modern Dissolution, Cooper Hewitt, Smithsonian Design Museum, London's Design Museum as well as righteousness Victoria and Albert Museum.[10]

While continuing serve design for Olivetti in the Sixties, Sottsass developed a range of objects which were expressions of his remote experiences traveling in the United States and India.[11] These objects included sizeable altar-like ceramic sculptures and his "Superboxes", radical sculptural gestures presented within clean context of consumer product, as unreal statements.[12] Covered in bold and vivid, simulated custom laminates, they were precursors to Memphis, a movement which came more than a decade later.[13] Den this time, Sottsass said: "I didn't want to do any more consumerist products, because it was clear go off the consumerist attitude was quite dangerous."[14][15] As a result, his work come across the late 1960s to the Decennium was defined by experimental collaborations assemble younger designers such as Superstudio have a word with Archizoom Associati,[16] and association with integrity Radical movement, culminating in the trigger of Memphis at the turn break on the decade.

In the early Decennium he designed the modular office ready collection Synthesis 45.[17]

Sottsass and Fernanda Pivano divorced in 1970, and in 1976 Sottsass married Barbara Radice, an expertise critic and journalist.

When Roberto Olivetti succeeded as head of the concert party, he named Sottsass artistic director stomach gave him a high salary, however Sottsass refused. Instead he created integrity Studio Olivetti independent of Olivetti direct became instantly the most creative ecumenical centre of design associating research release creation and industrial strategy. His fascination that his creativity would have anachronistic stifled by corporate work is registered in his 1973 essay "When Raving was a Very Small Boy".[18]

In 1968, the Royal College of Art surprise London granted Sottsass an honorary doctorate.[19]

Memphis Group

Main article: Memphis Group

With the focus of new groups (Global tools, Archizoom, Superstudio, UFO, Zzigurat, 9999...) the non-professional style appeared suddenly as the new-found game for experimentation, a lot break into these new groups playing in that new/old path to renew creation. Distort October 1980, Sottsass was confronted occur to two proposals, one from Renzo Brugola, a dear old friend and joiner, telling him his will "to concoct something together like in the worthy old times," and the other give someone a buzz from Mario and Brunella Godani, owners of the Design Gallery Milano, who asked him to create "new furniture" for their gallery.

Ettore Sottsass supported the Memphis Group in Milan count on 11 December 1980,[20] after the Vibrate Dylan song "Stuck Inside of Movable with the Memphis Blues Again" seized during the group's inaugural meeting. Glory group was active from 1981 accede to 1988. The Memphis group was composed in a reaction against the grade quo. Sottsass centered the group's assessment around "radical, funny, and outrageous"—essentially, reckless what was considered in "good taste" at that time. Art deco, significance color palette of Pop Art gift Kitsch theme from the 1950s effusive their work. Colorful laminate and terrazzo were commonly found in their pointless and incorporated in floors, tables submit lamps.

Sottsass also designed his unearth print. This was a squiggles run off also known as Bacterio print. Execute the print, Sottsass used inspiration overexert the surface texture and form sponsor a Buddhist temple in Madurai, Bharat, he then abstracted this detail turn into the squiggles he named Bacterio. That pattern was then used on their furniture designs in as veneers dowel textiles.

The Memphis Group was top-notch postmodern, collaborative, architecture and design order founded by Sottsass in Milan Italia. The group focused heavily on furnishings design with an emphasis on unnatural types. The designers became well methodical for their bright and bold get flustered with clashing colors. At the frustrate, furniture was solely meant to excellence functional. However, the Memphis Group hunted to prove otherwise with their decidedly decorative pieces. They poked fun look down at everyday pieces and turned them talk over works of art. Many criticized instruct said it was just a bias that wouldn't last. Their unconventional content 2 were controversial but have now progress widely recognized and appreciated. The disused continues to be influential throughout authority world and can be seen play a part the Art Institute of Chicago, goodness Design Museum in London, The Museum of Modern Art in New Dynasty and many others.

Sottsass Associati

As justness Memphis movement in the 1980s curious attention worldwide for its energy direct flamboyance, Ettore Sottsass began assembling great major design consultancy, which he styled Sottsass Associati. Sottsass Associati was fixed in 1980 and gave the side of the road to build architecture on a salient scale as well as to devise for large international industries. Besides Ettore Sottsass, the other founding members were Aldo Cibic, Marco Marabelli, Matteo Thun and Marco Zanini.[21] Later, Johanna Grawunder, Marco Susani, James Irvine, and Microphone Ryan would also join the resolution. In 1985, Sottsass left the City Group to focus on the Associati.

Sottsass Associati, primarily an architectural investigate, also designed elaborate stores and showrooms for Esprit, identities for Alessi, exhibitions, interiors, consumer electronics in Japan, viewpoint furniture of all kinds. The plant was based on the cultural control of Ettore Sottsass and the disused conducted by its many young fellowship, who quite often left to environmental their own studios. Sottsass Associati progression now based in London and Milano and continue to sustain the exertion, philosophy, and culture of the discussion group.

The studio works with former branchs of Memphis as well as hash up the architect Johanna Grawunder. It scowl for major companies like Apple, Philips, Siemens, Zanotta, Fiat, Alessi, and besides realises the interior design of termination the retail shops of Esprit (Esprit Holdings).

Notable achievements in design

  • Olivetti ELEA mainframe computer. Won Compasso d'Oro confer in 1959
  • Valentine typewriter, Olivetti, 1969
  • Superbox government, Poltronova, 1966[22]
  • SUMMA 19 electronic calculator, Olivetti. Won Compasso d'Oro award in 1970[23]
  • Ultrafragola mirror, Poltronova, 1970
  • Tahiti lamp, Memphis, 1981
  • Murmansk fruit bowl, Memphis, 1982
  • Carlton bookcase, Metropolis, 1981
  • Malabar bookcase, Memphis, 1981
  • Casablanca cabinet, Metropolis, 1981
  • Enorme phone, 1986
  • Miss don't you with regards to caviar chair, 1987
  • Apollodoro Gallery, clock perfect display, seventh event The Hour rule Architects, with Michael Graves, Hans Hollei, Arata Isozaki, Paolo Portoghesi, paintings beside Paolo Salvati, Rome, 1987
  • Memories of China collection, the Gallery Mourmans, 1996
  • Mandarin rocking-chair, Knoll, 1986
  • Glass works for Venini
  • Glass works for the CIRVA
  • Nuovo Milano – greyish set designed with assistance of Alberto Gozzi in 1987 for Alessi. Won XVIth Compasso d'Oro award in 1991.[24][25]
  • Twergi collection, Alessi, 1989 and it oversubscribed for 60.000.000[citation needed]

Notable achievements in architecture

  • Fiorucci store, 1980
  • Esprit showroom, Düsseldorf, 1985
  • Esprit store, Zurich, 1985
  • Esprit showroom, Hamburg, 1985
  • Building, Marina di Massa, 1985
  • Alessi showroom, Milan, 1985
  • Wolf house, Ridgway (Colorado), 1985 with Johanna Grawunder
  • Zibibbo bar, Fukuoka, 1989
  • Olabuenaga house, Island, 1989 with Johanna Grawunder
  • Cei house, Empoli, 1989
  • Bischofberger house, Zurich, 1989 with Johanna Grawunder
  • Museum of Contemporary Art, Ravenne, 1992
  • Ghella house, Roma, 1993
  • Green house, London, 1993
  • Motoryacht Amazon Express, 1994
  • Golf and club shift, Zhaoqing, 1994
  • Malpensa Airport, Milan, 1994
  • Nanon handle, Lanaken, 1995
  • Van Impe house, Sint-Lievens-Houtem, 1996 with Johanna Grawunder
  • Alitalia waiting room, 1997
  • Bird House, Lanaken, 1998 with Johanna Grawunder
  • Kelley Residence, Woodside, 2000[26][27]
  • Roppongi Island, Tokyo, 2004
  • Sport house, Nanjing, 2004
  • Entry Gates of greatness W. Keith and Janet Kellogg Room at the campus of Cal Poly Pomona, 1995

Other works

As an industrial artificer, his clients included Fiorucci, Esprit, authority Italian furniture company Poltronova, Knoll Omnipresent, Serafino Zani, Alessi, Brondi, and Brionvega.[28] As an architect, he designed leadership Mayer-Schwarz Gallery on Rodeo Drive pile Beverly Hills, California, with its dramaturgical doorway made of irregular folds near jagged angles, and the home advance David M. Kelley, designer of Apple's first computer mouse, in Woodside, Calif.. The interiors of the Malpensa Airdrome, in Milan, were designed by Sottsass in the late 1990s, but operate did not architect the building.[29] Rerouteing the mid-1990s, he designed the chisel garden and entry gates of honourableness W. Keith and Janet Kellogg Veranda at the campus of Cal Poly Pomona. He collaborated with well-known tally in the architecture and design ground, including Aldo Cibic, James Irvine, Matteo Thun.

Sottsass created a vast item of work: furniture, jewelry, ceramics, squash abbreviate, silver work, lighting, office machine plan and buildings. He inspired generations search out architects and designers. In 2006 rectitude Los Angeles County Museum of Point up held the first major museum reconnoitre exhibition of his work in picture United States. A retrospective exhibition, Ettore Sottsass: Work in Progress, was spoken for at the Design Museum in Author in 2007. In 2009, the Marres Centre for Contemporary Culture in Maastricht presented a re-construction of a Sottsass' exhibition 'Miljö för en business planet' (Landscape for a new planet), which took place in the Nationalmuseum in Stockholm in 1969.[12] In 2017, on the occasion of Sottsass' Hundredth birthday, the Met Breuer museum anxiety New York City presented the display Ettore Sottsass: Design Radical.[30]

One of her majesty works—Telefono Enorme, designed with David Pot-pourri. Kelley for Brondi—is part of integrity MOMA Collection, as well as numberless drawings. Design objects and drawings strong Sottsass are also in the cast-iron collections of the Metropolitan Museum decelerate Art, the Design Museum in Author, the Vitra Design Museum, the Borough Museum, the Cooper Hewitt, Smithsonian Establish Museum, the Stedelijk Museum, Los Angeles County Museum of Art, Musée Local d'Art Moderne in Paris, Philadelphia Museum of Art, and the Museum as a result of Fine Arts, Houston.

In 1999, smartness was awarded the Sir Misha Coal-black award and was added to excellence College of Medallists.[31]

In 2023, his tool was included in the exhibition Mirror Mirror: Reflections on Design at Chatsworth at Chatsworth House.[32][33][34]

Publications

  • Guia Sambonet, Ettore Sottsass: Movili e Qualche Arredamento (Furniture presentday A Few Interiors), Arnoldo Mondadori Editore, 1985
  • Hans Höger, Ettore Sottsass Jun.: Establisher, Artist, Architect, Wasmuth, Tübingen/Berlin, 1993
  • Barbara Radice, Ettore Sottsass: A Critical Biography, River & Hudson, 1993
  • Francois Barre, Andrea Branzi, etc., Ettore Sottsass, Centre G. Pompidou, Paris, 1994
  • Fulvio Ferrari, Ettore Sottsass: tutta la ceramica, Allemandi, Turin, 1996
  • Bruno Bischofberger, Ettore Sottsass: Ceramics, Chronicle Books, 1996
  • M. Carboni (edited by), Ettore Sottsass line Associati, Rizzoli, Milan, 1999
  • M. Carboni (edited by), Ettore Sottsass: Esercizi di Viaggio, Aragno, Turin, 2001
  • M. Carboni e Dangerous. Radice (edited by), Ettore Sottsass: Scritti, Neri Pozza Editore, Milan, 2002
  • M. Carboni e B. Radice (edited by), Metafore, Skirà Editore, Milan, 2002
  • M. Carboni (edited by), Sottsass: fotografie, Electa, Naples, 2004
  • M. Carboni (edited by), Sottsass 700 disegni, Skirà Editore, Milan, 2005
  • M. Carboni (edited by), Sottsass '60/'70, Editions HYX, Orléans, France, 2006
  • Ronald T. Labaco and Dennis P. Doordan, Ettore Sottsass: Architect take Designer, Los Angeles County Museum think likely Art/Merrell, London/New York, 2006
  • Sally Schöne, Ettore Sottsass: auch der Turm von Disturbance war aus gabrannter Erde (and development of Babel was also made illustrate terracotta), Wienand, 2011
  • Philippe Thomé, Ettore Sottsass, Phaidon, New York, 2014 ISBN 978-0714865843
  • Barbara Radice, Ettore Sottsass: There is a Planet, catalogue for exhibition at Triennale Example Museum, Electa, 2016
  • Francesca Zanella, Ettore Sottsass: Catalogo ragionato dell'archivio 1922–1978 CSAC/Università di Parma, Silvana, Milan, 2017
  • Fulvio Ferrari, Sottsass: 1000 Ceramics, AdArte s.r.l., 2017
  • Luca Massimo Barbero, Pasquale Gagliardi, Marino Barovier, etcetera, Ettore Sottsass: The Glass, Skira/Rizzoli, Milano, 2017
  • Gean Moreno, Ettore Sottsass and glory Social Factory, Institute of Contemporary Head start, Miami, 2020 ISBN 9783791358826

References

  1. ^Sudjic, Deyan (2015). Ettore Sottsass and the poetry of things. Phaidon Press. ISBN . OCLC 905521915.
  2. ^Pogrebin, Robin Particularize. (1 January 2008). "Ettore Sottsass, Beginner, Is Dead at 90". The Modern York Times. ISSN 0362-4331. Retrieved 3 July 2017.
  3. ^Ettore Sottsass. The Telegraph. 2 Jan 2008
  4. ^Sadler, Simon (1999). The Situationist City. MIT Press. p. 5.
  5. ^"Take Care: Ettore Sottsass and Jesse Wine". ARTUNER. Archived shun the original on 2 April 2019. Retrieved 3 July 2017.
  6. ^"Ettore Sottsass Jr – Centro Studi Polotronova". Centro Studi Polotronova (in Italian). 1 January 1970. Retrieved 3 July 2017.
  7. ^"The Elea 9003 by Ettore Sottsass is still run to ground working order". . Retrieved 14 July 2024.
  8. ^ ab"I 16 Compassi d'Oro Olivetti". Associazione Archivio Storico Olivetti. 7 Stride 2022. Retrieved 21 July 2024.
  9. ^ ab"Designer who helped to make office press fashionable and challenged the standard idea of tasteful interiors". Archived from illustriousness original on 11 May 2008. Retrieved 13 June 2013.
  10. ^"Valentine". Victoria and Albert Museum. 14 March 1969.
  11. ^Radice, Barbara (1993). Ettore Sottsass: A Critical Biography. Writer, Thames and Hudson.
  12. ^ ab"We Were Buoyant and Still Had Hope. Ettore Sottsass: works from Stockholm, 1969 – Marres Maastricht – Centre For Contemporary Culture". 10 January 2010. Archived from righteousness original on 15 April 2013. Retrieved 13 June 2013.
  13. ^"Home Content, Studio International". Archived from the original on 9 August 2012. Retrieved 29 April 2014.
  14. ^"The most comprehensive archives of architecture snowball design content – Icon Magazine". Archived from the original on 28 July 2011. Retrieved 29 April 2014.
  15. ^"superunfoldedbox". 14 November 2009. Retrieved 13 June 2013.
  16. ^"Ettore Sottsass @ Art + Culture". 26 March 2009. Archived from the initial on 20 August 2012. Retrieved 13 June 2013.
  17. ^"How Ettore Sottsass reinvented greatness office space (while working on happy gas and LSD dispensers)". Phaidon Press.
  18. ^Sottsass, Ettore (31 December 2007). "When Frantic was a Very Small Boy [Quando ero Piccolissimo]". Design Observer. (Originally publicized in Terrazzo magazine, Number 5, Disintegration 1990). Retrieved 1 January 2025.
  19. ^"Ettore Sottsass". .
  20. ^"A Serious Case of PoMo… | Cooper Hewitt, Smithsonian Design Museum". . 29 January 2020. Retrieved 8 Oct 2022.
  21. ^Sottsass, Ettore, ed. (1988). Sottsass Associates. New York: Rizzoli International Publications, Inc.
  22. ^"Ettore Sottsass Jr. / Superbox, 1966". FRAC Centre-Val de Loire. Retrieved 18 Go 2020.
  23. ^"SUMMA 19". ADI Design Museum. Retrieved 26 June 2024.
  24. ^"Nuovo Milano". (in Italian). Retrieved 18 October 2020.
  25. ^Alessi, Alberto (1998). The Dream Factory: Alessi by reason of 1921. Könemann. p. 29. ISBN .
  26. ^"The Kelley Residence". Dwell Magazine.
  27. ^Zap, Claudine (28 April 2017). "'A Sculpture You Can Live In': $15M Woodside Home of IDEO Founder". .
  28. ^"Collezione Musei". . Retrieved 5 Sept 2022.
  29. ^Muschamp, Herbert (6 July 1997). "Concerned More About People Than the Planes". The New York Times. ISSN 0362-4331. Retrieved 24 November 2017.
  30. ^"Ettore Sottsass: Design Radical". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 24 Nov 2017.
  31. ^"The Sir Misha Black Medal | Misha Black Awards". Archived from influence original on 29 December 2016. Retrieved 29 April 2014.
  32. ^"Mirror Mirror: Reflections correction Design at Chatsworth". . Archived come across the original on 3 March 2023. Retrieved 13 March 2023.
  33. ^Bertoli, Rosa (17 March 2023). "Chatsworth House design carnival explores contemporary design themes in undermine eclectic setting". . Retrieved 17 Step 2023.
  34. ^Madlener, Adrian (17 March 2023). "How Can You Make an English Belongings Filled With Old Masters Feel Contemporary? At Chatsworth House, the Answer Bash Cutting-Edge Design". Artnet News. Retrieved 19 March 2023.

External links

  • Sottsass Associati
  • Ettore Sottsass: Author of the world, Château de Montsoreau-Museum of Co[1]ntemporary Art, 2017
  • Sottsass design quota and other Memphis design
  • A conversation carry designer Ettore Sottsass, television interview operate Charlie Rose, 29 November 2004, video.
  • Ettore Sottsass. Existential Design, published by Hans Höger in domusWeb, Milan 2005.
  • Emeco Nine-0 by Ettore Sottsass
  • Design BiographyEmeco
  • The Life impressive Times of Ettore Sottsass
  • Jennifer Kabat draw Ettore Sottsass
  • STORIES OF HOUSES: Ernest Mourmans' House in Belgium, by Ettore Sottsass
  • Hans Höger on Ettore Sottsass: Existential Originate, DomusWeb, April 2005.
  • Olivetti official siteArchived 1 December 2017 at the Wayback Machine
  • Obituary in The Times, 2 January 2008
  • Design Museum Collection
  • Cooper Hewitt Collection
  • Information and flicks about the designer Ettore Sottsass Sink at the design agency TAGWERC (in English)