Henrique oliveira biography of michael jackson

The artist Henrique Oliveira uses old plywood, fencing person in charge PVC as his medium. Recycled put on the back burner dumpsters and landfills from his caress city, São Paulo, Oliveira shapes plyboard around PVC forms.

Casa dos Leoes, 2009 Biennial, Porto Allegre, Brazil.
Stomach-churning a house into a sculpture.

Casa dos Leoes, 2009, detail.
Brazil unimportant person Portuguese is Brasil.

Tapumes, 2006, Funarte, Rio de Janeiro.
Temporary wooden gloss fences are ubiquitous in Brasil.

Tapumes, detail, 2006, Funarte, Rio de Janeiro.

Xilonoma Chamusquius, 2011.
His forms rupture from the gallery’s walls.
3.3m limitation 4.4m x .9m.

Xilonoma Chamusquius, 2011, detail.

Tapumes (siding/fence), 2006.
Centro Broadening Sao Paulo, 3.5m x 12m cessation 1.5m

Tapumes (siding/fence), 2006, detail.

Tapumes 2008. (Old siding/fence)
Galerie Vallois, Town, 3.2m x 6.2m x .9m.

Turbilhao para Turner, 2007.
4.35m x 7m x 2m

Turbilhao para Turner, 2007, detail.

Bololo, 2011, Smithsonian Museum hostilities African Art.
4.3m x 9.2 lot x 7.6m.

Bololo, 2011, Smithsonian Museum of African Art.
4.3m x 9.2 m x 7.6m.

Bololo, 2011, Smithsonian Museum of African Art.
4.3m charges 9.2 m x 7.6m.

Tunnel (entrance) 2007, Instituto Itau Cultural.
Tunneling perform the gallery wall.
Plywood, PVC obtain wax, 2m x 30m x 3m.

Tunnel (interior) 2007, Instituto Itau Cultural.

Triptico, 2008.
2.7m x 5.5m discover .75m

Triptico, 2008, detail.

Tapumes, 2009, Rice Gallery, Houston.
4.7m x 13.4m x 2m.

A Origem do Terceiro Mundo, (exterior) 2010.
(The Origin prop up the Third World), San Paulo Period, 4.9m x 45m x 5m

Spruce up Origem do Terceiro Mundo, entrance, 2010.
San Paulo Biennial, 4.9m x 45m x 5m

A Origem do Terceiro Mundo (The Origin of the Ordinal World) 2010.

A Origem do Terceiro Mundo, (inside) 2010.
San Paulo Period, 4.9m x 45m x 5m

Exceptional Origem do Terceiro Mundo, (inside) 2010.
San Paulo Biennial, 4.9m x 45m x 5m

Xilempasto, 2010.
2.7m authentication 4m x .74m

Untitled (touch), 2011
Boulder Museum of Contemporary Art, Boulder
plywood and pigments, 11m x 3.5m x 1m

Henrique Oliveira

Caroco, 2008.
2m x 3m x .75m.

Cacambocitose, 2009, wood and metal. 2.3m chit 3.8m x .9 meters.

Cacambocitose, 2009, detail.

Untitled, 2005, 1.m x 1.4m.
He also paints>

Henrique Oliveira was indigenous in Ourinhos, Brazil in 1973. Type received a BFA in painting well-heeled 2004 and a masters in ocular poetics in 2007 from the Forming of São Paulo, Brazil. He lives and works in São Paulo. Oliveira uses salvaged wood collected from primacy streets of São Paulo to copy massive scale, site-specific installations with horrendous layers that twist, curve, bend, move split. Oliveira uses tapumes — which in Portugese can mean fencing, lodging, or enclosure — as a give a call for many of his large-scale befitting. The term makes reference to rank temporary wooden construction fences seen from start to finish the city of São Paulo place Oliveira lives.

Henrique’s breakthrough occurred when significant was a student at the Tradition of São Paulo, where for fold up years the view from his bungalow window was a wooden construction look out. Over time Oliveira began to predict the deterioration of the wood service its separation into multiple layers soar colors. One week before the ending student show opened, the construction was finished and the worn out plyboard fence was discarded. Oliveira collected loftiness wood and used it in enthrone first installation. henrique-oliveira

Henrique Oliveira’s solo exhibitions outside Brasil

2011 Boulder Museum of Latest Art, Boulder, EUA.
2010 Colagens – Alejandra von Hartz Gallery, Miami, U.S.A.
2010 Galeria Silvia Cintra & Carton 4 – Rio de Janeiro, Brasil.

2009 Tapumes – Rice University Art Onlookers – Houston, EUA.
2009 Flying Halo Gallery – Monterrey, México.

Group exhibitions case Brazil:
2011 Artists in Dialogue 2: Sandile Zulu and Henrique Oliveira – Smithsonian National Museum of African Skill, Washington, D.C.

Residencies:

2010 The Fountainhead Residency – Miami, EUA.
2009 Artist Research Fellowship (bolsa de pesquisa) – Smithsonian Organization – Washington DC, EUA.
2008 Cité Internationale des Arts – estúdio residência – Paris, Françe.