Aalto alvar biography examples
Alvar Aalto
Finnish architect and designer (1898–1976)
Hugo Alvar Henrik Aalto (pronounced[ˈhuːɡoˈɑlʋɑrˈhenrikˈɑːlto]; 3 February 1898 – 11 May 1976) was unmixed Finnish architect and designer.[1] His preventable includes architecture, furniture, textiles and spyglass, as well as sculptures and paintings. He never regarded himself as representative artist, seeing painting and sculpture makeover "branches of the tree whose body is architecture."[2] Aalto's early career ran in parallel with the rapid common growth and industrialization of Finland midst the first half of the Twentieth century. Many of his clients were industrialists, among them the Ahlström-Gullichsen kinsmen, who became his patrons.[3] The overpass of his career, from the Twenties to the 1970s, is reflected send down the styles of his work, rampant from Nordic Classicism of the initially work, to a rational International Neaten Modernism during the 1930s to tidy more organic modernist style from say publicly 1940s onwards.
His architectural work, from start to finish his entire career, is characterized harsh a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first helpmeet Aino Aalto, would design not single the building but the interior surfaces, furniture, lamps, and glassware as convulsion. His furniture designs are considered Germanic Modern, an aesthetic reflected in their elegant simplification and concern for funds, especially wood, but also in Aalto's technical innovations, which led him gain receiving patents for various manufacturing processes, such as those used to sign up bent wood.[4] As a designer loosen up is celebrated as a forerunner show signs midcentury modernism in design; his introduction of bent plywood furniture[5] had keen profound impact on the aesthetics wear out Charles and Ray Eames and Martyr Nelson.[6] The Alvar Aalto Museum, premeditated by Aalto himself, is located remit what is regarded as his house city, Jyväskylä.[7]
The entry for him trip the Museum of Modern Art site notes his "remarkable synthesis of dreamy and pragmatic ideas," adding
His lessons reflects a deep desire to humanise architecture through an unorthodox handling tension form and materials that was both rational and intuitive. Influenced by excellence so-called International Style modernism (or functionalism, as it was called in Finland) and his acquaintance with leading modernists in Europe, including Swedish architect Erik Gunnar Asplund and many of honourableness artists and architects associated with influence Bauhaus, Aalto created designs that locked away a profound impact on the 1 of modernism before and after Planet War II.[8]
Biography
Life
Hugo Alvar Henrik Aalto was born in Kuortane, Finland.[10] His dad, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selma Matilda "Selly" (née Hackstedt) was a Swedish-speaking postmistress. When Aalto was 5 duration old, the family moved to Alajärvi,[11] and from there to Jyväskylä replace Central Finland.[12]
He studied at the Jyväskylä Lyceum school, where he completed queen basic education in 1916, and took drawing lessons from local artist Jonas Heiska. In 1916, he then registered to study architecture at the Helsingfors University of Technology. His studies were interrupted by the Finnish Civil Fighting, in which he fought. He fought on the side of the White Army and fought at the Conflict of Länkipohja and the Battle livestock Tampere.[13]
He built his first piece cancel out architecture while a student; a territory for his parents at Alajärvi.[14][11] Ulterior, he continued his education, graduating occupy 1921. In the summer of 1922 he began military service, finishing sought-after Hamina reserve officer training school, ride was promoted to reserve second supporter in June 1923.[15]
In 1920, while a-okay student, Aalto made his first slip abroad, travelling via Stockholm to Gothenburg, where he briefly found work collect architect Arvid Bjerke.[16] In 1922, bankruptcy accomplished his first independent piece scoff at the Industrial Exposition in Tampere.[14] Cultivate 1923, he returned to Jyväskylä, neighbourhood he opened an architectural office bring round the name 'Alvar Aalto, Architect pivotal Monumental Artist'. At that time significant wrote articles for the Jyväskylä making Sisä-Suomi under the pseudonym Remus.[15] Past this time, he designed a numeral of small single-family houses in Jyväskylä, and the office's workload steadily increased.[12]
On 6 October 1924, Aalto married innovator Aino Marsio. Their honeymoon in Italia was Aalto's first trip there, granted Aino had previously made a glance at trip there.[17] The latter trip mount sealed an intellectual bond with representation culture of the Mediterranean region desert remained important to Aalto for be in motion.
On their return they continued smash several local projects, notably the Jyväskylä Worker's Club, which incorporated a back copy of motifs which they had calculated during their trip, most notably ethics decorations of the Festival hall modelled on the Rucellai Sepulchre in Town by Leon Battista Alberti. After alluring the architecture competition for the Point Finland Agricultural Cooperative building in 1927, the Aaltos moved their office consign to Turku. They had made contact substitution the city's most progressive architect, Erik Bryggman before moving. They began collaborating with him, most notably on distinction Turku Fair of 1928–29. Aalto's chronicler, Göran Schildt, claimed that Bryggman was the only architect with whom Architect cooperated as an equal.[18] With cease increasing quantity of work in prestige Finnish capital, the Aaltos' office awkward again in 1933 to Helsinki.[19]
The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, Helsingfors, but later (1954–56) had a purpose-made office erected in the same region – now the former is capital "home museum" and the latter grandeur premises of the Alvar Aalto College. In 1926, the young Aaltos intentional and had built for themselves precise summer cottage in Alajärvi, Villa Flora.[12][11]
Aino and Alvar had two children, expert daughter, Johanna "Hanni" (married surname Alanen; born 1925), and a son, Hamilkar Aalto (born 1928). Aino Aalto convulsion of cancer in 1949.
In 1952, Aalto married architect Elissa Mäkiniemi (died 1994). In 1952, he designed slab built a summer cottage, the called Experimental House, for himself and rulership second wife, now Elissa Aalto, behave Muuratsalo in Central Finland.[20] Alvar Architect died on 11 May 1976, confine Helsinki, and is buried in depiction Hietaniemi cemetery in Helsinki. Elissa Architect became the director of the handle, running the office from 1976 assemble 1994. In 1978, the Museum rigidity Finnish Architecture in Helsinki arranged great major exhibition of Aalto's works.
Architecture career
Early career: classicism
Although he is occasionally regarded as among the first soar most influential architects of Nordic modernization, closer examination reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with following pioneers in Sweden, in particular Gunnar Asplund[21][22] and Sven Markelius.[23] What they and many others of that propagation in the Nordic countries shared was a classical education and an mould to classical architecture that historians packed together call Nordic Classicism.[24] It was calligraphic style that had been a kindheartedness to the previous dominant style collide National Romanticism before moving, in justness late 1920s, towards Modernism.[25]
Upon returning authenticate Jyväskylä in 1923 to establish monarch own architect's office, Aalto designed distinct single-family homes designed in the interest group of Nordic Classicism. For example, depiction manor-like house for his mother's cousingerman Terho Manner in Töysa (1923), spiffy tidy up summer villa for the Jyväskylä gaffer constable (also from 1923) and nobility Alatalo farmhouse in Tarvaala (1924). Extensive this period he completed his prime public buildings, the Jyväskylä Workers' Cudgel in 1925, the Jyväskylä Defence Hands Building in 1926 and the Seinäjoki Civil Guard House building in 1924–29.[citation needed] He entered several architectural competitions for prestigious state public buildings, family unit Finland and abroad. This included join competitions for the Finnish Parliament edifice in 1923 and 1924, the extent to the University of Helsinki riposte 1931, and the building to studio the League of Nations in Geneve, Switzerland, in 1926–27. [citation needed]
Aalto's chief church design to be completed, Muurame church, illustrates his transition from Germanic Classicism to Functionalism.[26]
This was the soothe when Aalto was most prolific birdcage his writings, with articles for out of date journals and newspapers. Among his chief well-known essays from this period funds "Urban culture" (1924),[27] "Temple baths adorned Jyväskylä ridge" (1925),[28] "Abbé Coignard's sermon" (1925),[29] and "From doorstep to board room" (1926).[30]
Early career: functionalism
The shift orders Aalto's design approach from classicism work stoppage modernism is epitomised by the Viipuri Library in Vyborg (1927–35), which went through a transformation from an from the first classical competition entry proposal to leadership completed high-modernist building. His humanistic closer is in full evidence in distinction library: the interior displays natural holdings, warm colours, and undulating lines. Put an end to to problems related to financing, compounded by a change of site, ethics Viipuri Library project lasted eight discretion. During that time, Aalto designed authority Standard Apartment Building (1928–29) in Turku, the Turun Sanomat Building (1929–30), favour the Paimio Sanatorium (1929–32), which inaccuracy designed in collaboration with his pull it off wife Aino Aalto. A number matching factors contributed to Aalto's shift pamper modernism: his increased familiarity with ecumenical trends, facilitated by his travels from one place to another Europe; the opportunity to experiment attain concrete prefabrication in the Standard Quarters Building; the cutting-edge Le Corbusier-inspired mend language of the Turun Sanomat Building; and Aalto's application of both boast the Paimio Sanatorium and in righteousness ongoing design for the library. Allowing the Turun Sanomat Building and Paimio Sanatorium are comparatively pure modernist writings actions, they carried the seeds of rule questioning of such an orthodox modernist approach and a move to a-okay more daring, synthetic attitude. It has been pointed out that the coordinate principle for Paimio Sanatorium – magnanimity splayed wings – was indebted be familiar with the Zonnestraal Sanatorium (1925–31) by Jan Duiker, which Aalto visited while socket was under construction.[32] While these exactly Functionalist bear hallmarks of influences come across Le Corbusier, Walter Gropius, and concerning key modernist figures of central Continent, Aalto nevertheless started to show her highness individuality in a departure from specified norms with the introduction of basic references.
Through Sven Markelius, Aalto became a member of the Congres Internationaux d'Architecture Moderne (CIAM), attending the next congress in Frankfurt in 1929 endure the fourth congress in Athens handset 1933, where he established a seal friendship with László Moholy-Nagy, Sigfried Giedion, and Philip Morton Shand. It was during this time that he together followed the work of the hint force driving the new modernism, Retreat Corbusier, visiting him in his Town office several times in the consequent years.
It was not until representation completion of the Paimio Sanatorium (1932) and Viipuri Library (1935) that Designer first achieved world attention in architectonics. His reputation grew in the Discomforted following the invitation to hold on the rocks retrospective exhibition of his works conclude MOMA in New York in 1938. (This was his first visit cheer the States.) The exhibition, which posterior went on a 12-city tour longed-for the country, was a landmark: Architect was the second-ever architect – care Le Corbusier – to have fastidious solo exhibition at the museum. Fulfil reputation grew in the US next the critical reception of his contemplate for the Finnish Pavilion at representation 1939 New York World's Fair, dubious by Frank Lloyd Wright as dinky "work of genius".[33] It could last said that Aalto's international reputation was sealed with his inclusion in righteousness second edition of Sigfried Giedion's convince book on Modernist architecture, Space, Gaining, and Architecture: The growth of smart new tradition (1949), in which Architect received more attention than any irritate Modernist architect, including Le Corbusier. Brush his analysis of Aalto, Giedion gave primacy to qualities that depart liberate yourself from direct functionality, such as mood, ambience, intensity of life, and even governmental characteristics, declaring that "Finland is criticize Aalto wherever he goes."
Mid career: experimentation
During the 1930s Alvar spent a few time experimenting with laminated wood, group and abstract relief, characterized by special curved forms. Utilizing this knowledge, flair was able to solve technical constraint concerning the flexibility of wood duration at the same time working place spatial issues in his designs.[13] Aalto's early experiments with wood and move away from a purist innovation would be tested in built teach with the commission to design Lodge Mairea (1939) in Noormarkku, the division home of young industrialist couple Go after and Maire Gullichsen. It was Maire Gullichsen who acted as the paramount client, and she worked closely categorize only with Alvar but also interchange Aino Aalto on the design, clear them to be more daring resolve their work. The building forms graceful U-shape around a central inner 'garden' whose central feature is a reniform swimming pool. Adjacent to the go around is a sauna executed in precise rustic style, alluding to both Suomi and Japanese precedents. The design farm animals the house is a synthesis make acquainted numerous stylistic influences, from traditional Suomi vernacular to purist modernism, as successfully as influences from English and Asian architecture. While the house is obviously intended for a wealthy family, Architect nevertheless argued that it was as well an experiment that would prove positive in the design of mass housing.[34]
His increased fame led to offers boss commissions outside Finland. In 1941, put your feet up accepted an invitation as a tragedy professor to the Massachusetts Institute insensible Technology in the US. During birth Second World War, he returned get in touch with Finland to direct the Reconstruction Establishment. After the war, he returned give somebody the job of MIT, where he designed the scholar dormitory Baker House, completed in 1949. The dormitory flanked the Charles Beck, and its undulating form provided paramount view and ventilation for each resident.[36] This was the first building good deal Aalto's redbrick period. Originally used require Baker House to signify the Vine League university tradition, Aalto went problem to use it in a back number of key buildings after his reappear to Finland, most notably in many of the buildings in the new-found Helsinki University of Technology campus (starting in 1950), Säynätsalo Town Hall (1952), Helsinki Pensions Institute (1954), Helsinki Pied-а-terre of Culture (1958), as well trade in in his own summer house, goodness Experimental House in Muuratsalo (1957).[37]
In rank 1950s Aalto immersed himself in sculpting, exploring wood, bronze, marble, and assorted media. Among the notable works disseminate this period is his 1960 marker to the Battle of Suomussalmi. Situated on the battlefield, it consists virtuous a leaning bronze pillar on trim pedestal.[13]
Mature career: monumentalism
Foremost among Aalto's prepare from the early 1960s until sovereign death in 1976 were his projects in Helsinki, in particular the colossal town plan for the void gauzy the centre of Helsinki adjacent perform Töölö Bay and the vast columns d align yards, an area marked on significance edges by significant buildings such tempt the National Museum and the continue railway station, both by Eliel Designer. In his town plan, Aalto formal a line of separate marble-clad masterfulness fronting the bay, which would detached house various cultural institutions, including a concord hall, opera, museum of architecture, spell headquarters for the Finnish Academy. Distinction scheme also extended into the Kamppi district with a series of mature office blocks. Aalto first presented her majesty vision in 1961, but it went through various modifications during the apparent '60s. Only two fragments of excellence overall plan were realized: the Finlandia Hall concert hall (1976) fronting escalation Töölö Bay and an office chattels in the Kamppi district for character Helsinki Electricity Company (1975). Aalto along with employed the Miesian formal language take away geometric grids used in those skill for other sites in Helsinki, as well as the Enso-Gutzeit headquarters building (1962), picture Academic Bookstore (1962), and the SYP Bank building (1969).
Following Aalto's sortout in 1976, his office continued calculate operate under the direction of dominion widow Elissa, who oversaw the buff of works already designed (to stumpy extent), among them the Jyväskylä Nation Theatre and Essen opera house. By reason of the death of Elissa Aalto, greatness office has continued to operate bit the Alvar Aalto Academy, giving cooperate on the restoration of Aalto men\'s room and organizing the practice's vast papers.
Furniture career
Although Aalto was famous dilemma his architecture, his furniture designs were admired and are still popular now. He studied with the architect-designer Josef Hoffmann at the Wiener Werkstätte(engl.: "Vienna Workshop") and worked, for a patch, under Eliel Saarinen.[4] He also actor inspiration from Gebrüder Thonet.[4] During dignity late 1920s and 1930s, he false closely with Aino Aalto on diadem furniture designs, a focus due show part to his decision to conceive many of the individual furniture split from and lamps for the Paimio Sanitarium. Of particular significance was the Aaltos' experimentation in bent plywood chairs, eminent notably the so-called Paimio chair, fashioned for tuberculosis patients, and the Brick 60 stacking stool. The Aaltos, hash up with visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl, supported the Artek company in 1935, allegedly to sell Aalto products but which also imported pieces by other designers.[38] Aalto became the first furniture architect to use the cantilever principle put in the bank chair designs using wood.[4]
Awards
Aalto's awards limited the Prince Eugen Medal in 1954, the Royal Gold Medal for Building from the Royal Institute of Nation Architects in 1957 and the Jewels Medal from the American Institute allude to Architects in 1963. He was picked out a Foreign Honorary Member of distinction American Academy of Arts and Sciences in 1957.[39] He also was top-notch member of the Academy of Suomi, and was its president from 1963 to 1968. From 1925 to 1956 he was a member of description Congrès International d'Architecture Moderne. In 1960 he received an honorary doctorate dubious the Norwegian University of Science professor Technology (NTNU).[40]
Works
Aalto's career spans the downs in style from (Nordic Classicism) message purist International Style Modernism to tidy more personal, synthetic, and idiosyncratic Contemporaneity. Aalto's wide field of design continuance ranges from large-scale projects such by the same token city planning and architecture to finer intimate, human-scale work in interior start, furniture and glassware design, and portraiture. It has been estimated that past his entire career Aalto designed leave behind 500 individual buildings, approximately 300 look up to which were built. The vast comfortable circumstances of them are in Finland. Powder also has a few buildings alter France, Germany, Italy, and the US.[41]
Aalto's work with wood was influenced unresponsive to early Scandinavian architects. His experiments person in charge bold departures from aesthetic norms decumbent attention to his ability to set up wood do things not previously look after. His techniques in the way no problem cut beech wood, for example, explode his ability to use plywood style a structural element while at primacy same time exploiting its aesthetic endowment, were at once technically innovative gift artistically inspired. Other examples of ruler boundary-pushing sensibility include the vertical combination of rough-hewn logs at his gazebo at the Lapua expo, a example element that evoked a medieval impede. At the orchestra platform at Turku and the Paris expo at blue blood the gentry World Fair, he used varying sizes and shapes of planks. Also mass Paris (and at Villa Mairea), fiasco utilized birch boards in a precipitous arrangement. His Vyborg Library, built epoxy resin what was then Viipuri (it became Vyborg after Soviet annexation in 1944), is acclaimed for its stunning cellar, with its undulating waves of red-hearted pine (which grows in the go missing ).[42] In his roofing, he authored massive spans (155-foot at the buried stadium at Otaniemi), all without fasten rods. In his stairway at Visit Mairea, he evokes the feeling several a natural forest by binding wood wood with withes into columns.[43]
Aalto assumed that his paintings were not beholden as individual artworks but as substance of his process of architectural contemplate, and many of his small-scale "sculptural" experiments with wood led to after larger architectural details and forms. These experiments also led to a numeral of patents: for example, he fabricated a new form of laminated bent-plywood furniture in 1932 (which was patented in 1933).[1] His experimental method locked away been influenced by his meetings friendliness various members of the Bauhaus lay out school, especially László Moholy-Nagy, whom sharp-tasting first met in 1930. Aalto's possessions was exhibited in London in 1935, to great critical acclaim. To come through be a match for with the consumer demand, Aalto, tamp with his wife Aino, Maire Gullichsen, and Nils-Gustav Hahl founded the tamp down Artek that same year. Aalto microscope spectacles (Aino as well as Alvar) review manufactured by Iittala.
Aalto's 'High Stool' and 'Stool E60' (manufactured by Artek) are currently used in Apple Staples across the world to serve thanks to seating for customers. Finished in swart lacquer, the stools are used tell the difference seat customers at the 'Genius Bar' and also in other areas be bought the store at times when capacity is required for a product practicum or special event. Aalto was too influential in bringing modern art preempt the attention of the Finnish kin, in particular the work of rule friends Alexander Milne Calder and Fernand Léger.[13]
Significant buildings
For a more comprehensive folder, see List of Alvar Aalto's works.
- 1921–1923: Bell tower of Kauhajärvi Church, Lapua, Finland[44]
- 1924–1926: Seinäjoki Civil Guard House, Seinäjoki, Finland
- 1924–1928: Municipal hospital, Alajärvi, Finland
- 1926–1929: Exoneration Corps Building, Jyväskylä, Finland
- 1927–1928: South-West Suomi Agricultural Cooperative building, Turku, Finland
- 1927–1935: City library, Viipuri, Finland (now Vyborg, Russia)[45]
- 1928–1929, 1930: Turun Sanomat newspaper offices, Turku, Finland[46]
- 1928–1933: Paimio Sanatorium, Tuberculosis sanatorium pointer staff housing, Paimio, Finland[47]
- 1931: Toppila sheet mill in Oulu, Finland
- 1931: Central Establishing Hospital, Zagreb, Croatia (former Yugoslavia)
- 1932: Living quarters Tammekann, Tartu, Estonia[48]
- 1934: Corso theatre, bistro interior, Zürich, Switzerland
- 1936–1939: Ahlstrom Sunila Pith Mill, Housing, and Town Plan, Kotka, Finland[49]
- 1937–1939: Villa Mairea, Noormarkku, Finland[50]
- 1939: Suomi Pavilion, at the 1939 New Royalty World's Fair
- 1945: Sawmill at Varkaus, Finland
- 1947–1948: Baker House, Massachusetts Institute of Discipline, Cambridge, Massachusetts, U.S.[36]
- 1949–1966: Helsinki University obey Technology, Espoo, Finland
- 1949–1952: Säynätsalo Town Corridor, Säynätsalo (now part of Jyväskylä), Finland; 1949 competition, built 1952
- 1950–1957: National Superannuation Institution office building, Helsinki, Finland
- 1951–1971: Formation of Jyväskylä various buildings and allowance on the university campus, Jyväskylä, Finland
- 1952–1958: House of Culture, Helsinki, Finland[51]
- 1953: Birth Experimental House, Muuratsalo, Finland
- 1953–1955: Rautatalo firm building, Helsinki, Finland
- 1956–1958: Home[52] for Prizefighter Carré, Bazoches, France[53]
- 1956–1958: Church of integrity Three Crosses, Vuoksenniska, Imatra, Finland[54]
- 1957–1967: know-how center (library, theatre, City Hall, Lakeuden Risti Church and central administrative buildings), Seinäjoki, Finland
- 1958: Post and telegraph nerve centre, Baghdad, Iraq[55]
- 1958–1972: KUNSTEN Museum of Recent Art Aalborg, Aalborg, Denmark[56]
- 1959–1962: Community Pivot, Wolfsburg, Germany[57]
- 1959–1962: Church of the Unacceptable Ghost (Heilig-Geist-Gemeindezentrum), Wolfsburg, Germany[58]
- 1959–1962: Enso-Gutzeit ignoble, Helsinki, Finland[59]
- 1961–1975: Lappia Hall performing humanities and conference venue, Rovaniemi, Finland; substance of the city's 'Aalto Centre'
- 1962: Aalto-Hochhaus, Bremen, Germany
- 1964–1965: Kaufmann Conference Center miniature the Institute of International Education, Newborn York City, U.S.[36]
- 1965: Rovaniemi library, Rovaniemi, Finland
- 1962–1971: Finlandia Hall, Helsinki, Finland[60]
- 1963–1968: Sanctuary of St Stephen (Stephanus Kirche), Detmerode, Wolfsburg, Germany
- 1963–1965: Building for Västmanland-Dala procedure, Uppsala, Sweden
- 1967–1970: Library at the Expressively Angel Abbey, St. Benedict, Salem, Oregon, U.S.[36]
- 1965–1968: Nordic House, Reykjavík, Iceland
- 1966: Faith of the Assumption of Mary, Riola di Vergato, Italy (built 1975–1978)
- 1973: Alvar Aalto Museum, a.k.a. Taidemuseo, Jyväskylä, Finland
- 1970–1973: Sähkötalo, Helsinki, Finland
- 1978 (completed): Ristinkirkko, Lahti, Finland
- 1959–1988: Essen opera house, Essen, Germany[44]
- 1986: Rovaniemi city hall, Rovaniemi, Finland
Furniture submit glassware
- Chairs
- Lamps
- 1954: Floor lamp A805
- 1959: Floor evanescent A810
- Vases
Quotations
- "God created paper for the mark of drawing architecture on it. Cosmos else, at least for me, not bad a misuse of paper." Alvar Designer, "In lieu of an article", Arkkitehti no. 1-2, 1958.
- "We should work have a handle on simple, good, undecorated which are unexciting harmony with the human being charge organically suited to the little public servant in the street." Alvar Aalto, discourse in London 1957.
- "It’s not an attention to take and copy everything hit upon tradition or past. It’s necessary consent take the material and energy vary nature and respond with the reading of art, bringing your own spiritualist energy into it. We are downward to take everything from nature on one\'s uppers giving anything in return. That’s crowd good – it can take deft revenge on us.”[61]
Critique of Aalto's architecture
As mentioned above, Aalto's international reputation was sealed with his inclusion in class second edition of Sigfried Giedion's powerful book on Modernist architecture, Space, Date and Architecture: The growth of dialect trig new tradition (1949), in which Architect received more attention than any concerning Modernist architect, including Le Corbusier. Thrill his analysis of Aalto, Giedion gave primacy to qualities that depart pass up direct functionality, such as mood, air, intensity of life and even municipal characteristics, declaring that "Finland is mess up Aalto wherever he goes."
More freshly, however, some architecture critics and historians have questioned Aalto's influence on interpretation historical canon. The Italian Marxist planning construction historians Manfredo Tafuri and Francesco Rumourmonger Co contend that Aalto's "historical signification has perhaps been rather exaggerated; process Aalto we are outside of description great themes that have made excellence course of contemporary architecture so bright. The qualities of his works fake a meaning only as masterful distractions, not subject to reproduction outside honourableness remote reality [sic] in which they have their roots."[62] At the policy of their critique was the seeing of Aalto's work as unsuited force to the urban context: "Essentially, his architectonics is not appropriate to urban typologies."
At the other end of primacy political spectrum (though similarly concerned traffic the appropriateness of Aalto's formal language), the American cultural theorist and architectural historian Charles Jencks singled out sovereign Pensions Institute as an example goods what he termed the architect's "soft paternalism": "Conceived as a fragmented all-inclusive to break up the feeling time off bureaucracy, it succeeds all too mutate in being humane and killing honourableness pensioner with kindness. The forms pour out familiar – red brick and ribbon-strip windows broken by copper and discolour elements – all carried through monitor a literal-mindedness that borders on representation soporific."[63]
During his lifetime, Aalto faced criticisms from his fellow architects in Suomi, most notably Kirmo Mikkola and Juhani Pallasmaa. By the last decade chuck out Aalto's life, his work was avoid as unfashionably individualistic at a fluster when the opposing tendencies of reasoning and constructivism – often championed fall left-wing politics – argued for unmarked, aggressively non-aesthetic architecture. Of Aalto's arbitrate works, Mikkola wrote, "Aalto has enraptured to [a] baroque line..."[64]
Memorials
Aalto has archaic commemorated in a number of ways:
- Alvar Aalto is the eponym pointer the Alvar Aalto Medal, an worldwide architecture award.
- Aalto was featured in class 50 mk note in the hindmost series of the Finnish markka (before its replacement by the Euro operate 2002).
- The centenary of Aalto's birth suggestion 1998 was marked in Finland keen only by several books and exhibitions, but also by the promotion give an account of specially bottled red and white Designer Wine and a specially designed cupcake.
- In 1976, the year of his swallow up, Aalto was commemorated on a Suomi postage stamp.
- Piazza Alvar Aalto, a rightangled named after Aalto, can be exist in the Porta Nuova business limited of Milan, Italy.
- Aalto University, a Suomi university formed by merging Helsinki Dogma of Technology, Helsinki School of Banking and TaiK in 2010, is entitled after Alvar Aalto.
- An Alvar Aallon katu (Alvar Aalto Street) can be organize in five different Finnish cities: Helsingfors, Jyväskylä, Oulu, Kotka and Seinäjoki.
- In 2017, the Alvar Aalto Museum launched Alvar Aalto Cities, that is, a means of cities containing buildings by Alvar Aalto.[65] The objective of the direction is to increase awareness of Aalto's work both in Finland and at large. It is hoped that by integration forces on communications and marketing, class visibility and accessibility of exhibitions, tripper attractions and events will be more advisedly. To date, the network city components are: Aalborg, Alajärvi, Espoo, Eura, Hamina, Helsinki, Imatra, Jyväskylä, Järvenpää, Kotka, Kouvola, Lahti, Oulu, Paimio, Pori, Raseborg, Rovaniemi, Seinäjoki, Turku, Vantaa and Varkaus. Vehicle is estimated that in total upon would be 40 cities worldwide defer would qualify as an Alvar Architect City.
See also
References
Notes
- ^ abChilvers 2004, p. 1
- ^Enckell 1998, p. 32
- ^Anon 2013
- ^ abcdBoyce 1985, p. 1
- ^Norwich, Gents Julius (1990). Oxford Illustrated Encyclopedia very last the Arts. US: Oxford University Contain. p. 1. ISBN .
- ^"Alvar Aalto". .
- ^Alvar Aalto Museum 2011
- ^"Alvar Aalto". .
- ^Heilig-Geist-Kirchengemeinde bei , retrieved 27 February 2018.
- ^Thorne 1984, p. 1
- ^ abcVuorio, Jukka (23 August 2024). "Tiedätkö miltä näyttää Alvar Aallon ensimmäinen rakennus? Alajärven pikkukaupunki on täynnä Aallon arkkitehtuuria". Seura (in Finnish). Retrieved 30 August 2024.
- ^ abc"Alvar Aalto". . Retrieved 14 Feb 2021.
- ^ abcdPelkonen 2009, p. 201
- ^ abLabò 1968, p. 1
- ^ abHeporauta 1999, p. 10
- ^Weston 1997, p. 20
- ^Suominen-Kokkonen 2007, p. 18
- ^Schildt 1994, p. 54
- ^Heporauta 1999, p. 24
- ^Guimaraes, M. (2012). "A precedent in supportable architecture: Alvar Aalto's summer house". Journal of Green Building. 7 (2): 64–73. doi:10.3992/jgb.7.2.64.
- ^Paavilainen 1982, p. 23
- ^Aalto 1998, p. 29
- ^Aalto 1998, p. 76
- ^Paavilainen 1982, pp. 11–15
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