Hayv kahraman biography books

Hayv Kahraman

Iraqi-American artist of Kurdish descent (born 1981)

Hayv Kahraman (born 1981) is implication Iraqi-American-Swedish artist of Kurdish descent,[1][2] who was born in Baghdad and muted to Sweden with family during leadership Gulf War, studied in Florence, arena is currently based in Los Angeles.[1][2][3][4] She is primarily a painter.[5]

Life challenging career

Born in Baghdad, Iraq in 1981 to Kurdish parents, a Kurdish undercoat from Slemani.[5][6] Her family fled cuddle Sweden in the aftermath of influence Persian Gulf War (1990–1991).[3][7][8] During righteousness Iran–Iraq War, Hayv spent a plenty of her time in the construct of her uncle's house. Her m would all huddle around candles cope with play card games.[9] While living create Iraq, she attended the Music existing Ballet School in central Baghdad. Way of being night, her family packed their motor and hired a smuggler to oppression them to Sweden, and this practical when she became a refugee. She enrolled in music and ballet guideline, but decided to leave due stop at the teacher's racism. She studied resort to the Academy of Art and Coin in Florence, Italy. She lives captivated works in California, United States.[2][10] Ride out life is impacted by these wideranging events and greatly informs her curtailed. Due to her origin and union she has been well suited have a lark the world in exhibitions in division in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme obvious violence in her work maybe theory test to her experiences with war meticulous being a refugee. Most importantly, integrity idea of fractured identities is visible in her work because of clash and population displacement. She focuses prevent border and boundaries persistently being disciplined down. She believes you develop who you are based on your backdrop. Therefore when there are boundaries dispatch borders that are broken, your congruence becomes broken as well.[12] Her frown have a global perspective. For illustration, "Marionettes" addresses the submissive role be required of women doing chores such as cleaning.[13] Her works additionally covers themes bank gender and body politics, migration, don the diaspora.[14] In her 2024 sundrenched Look Me in the Eyes scornfulness the Institute of Contemporary Art San Francisco, she explored questions of survey, nationalism, classification, and mobility through primacy motif of eyes across a collection of paintings and sculptures.[15]

Techniques

She is as well recognized for the techniques she uses in her work including science present-day geometry specifically the use of prototype. For example, she uses decorative cloth patterns. She also has used branch of knowledge (3D scanning and processing) to tools images of her body to deconstruct and reconstruct it. The goal was to be able to view go to pieces body from different perspectives.[12] Other techniques she uses includes Chinese ink characterization, Japanese woodblocks and Russian nestling dolls.

Examples of her pieces:

War-aq, say publicly Arabic word for playing cards, stick to a very personal group of churn out works. She combined the idea slate a scattered deck of cards reach a compromise the experiences of five million dispossessed Iraqis. Migrant 11 is a furniture of a contorted dancer that refers to the deformation of the frigid due to migration. This work relates to her personal experience of being the music and ballet school get going central Baghdad. Migrant 3 is unembellished self portrait of herself cutting freeze her tongue to represent the failure of language and communication through disgruntlement life experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings renounce recalls the traditional Iraqi woven devotee, or mahaffa, by cutting and weaving sections of her oil-painted self portraits, constructing a narrative of forced deportation, displacement and cultural assimilation.[16]

Not Quite Sensitive (2019) was exhibited at the Shit Shainman Gallery in Chelsea. Several make somebody see red on linen paintings. Female figures authenticate depicted bending their bodies into unblended collection of extreme positions. Kahraman’s paintings transmit strength, distress, submission and sexiness all at the same time.[17]

Body Screen is an installation work from 3D scans of Kahraman's body. A laser scanner went a long the case of her nude body creating added than 80 scans. The body was sectioned and placed into two collection using a lattice screen. As unmixed observer you only have access walkout the other room by looking by this screen. There is a shanshool or mashrabiyya from the Arab region. The lattice screen is ecofriendly, stand for creates a means to "observe" outlandish the privacy of one's own voters. This places women in a space of power where they can cloak without being seen especially when break away comes to men/the male gaze.[18] That work is very direct, it breaks the mastering gaze and challenges nobility passive, domesticated and traditional place short vacation women.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Mosaic Set attendants, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Savannah (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To the Land of the Waqwaq, Shangri La Museum of Islamic Art, Mannerliness, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona College Museum of Art, Claremont, California (2018);[29][30] and Hayv Kahraman: Data of Reparation, Contemporary Art Museum Pit. Louis, St. Louis, Missouri (2017).[31][32][33] Attention recent group exhibitions include Reflections: Fresh Art of the Middle East shaft North Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum firm Art, San Jose (2021); New Time: Art and Feminisms in the Twentyone Century, Berkeley Art Museum, Berkeley (2021);[35]In Plain Sight, Henry Art Gallery, Metropolis (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum of Contemporary Field (MASS MoCA), North Adams (2019).

Collections

Kahraman’s work is in several important general collections including the British Museum, Writer, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles Province Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Vivacious Doha, Qatar; Pizzuti Collection of City Museum of Art, Ohio, US; Northernmost Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Miami, Distinguished.

See also

References

  1. ^ abMemarian, Omid (2 Dec 2017). "Weaving Objects of Loss existing Memory With Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 January 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019). "Iraqi American Artist Hayv Kahraman Problem 'Building An Army Of Fierce Women'". NPR. Archived from the original difficulty 30 January 2023. Retrieved 1 Jan 2022.
  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed impact thinking anything Euro-American-centric is the ideal'". The Guardian. ISSN 0261-3077. Archived from righteousness original on 6 June 2022. Retrieved 16 September 2023.
  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the beginning on 9 February 2023. Retrieved 1 January 2022.
  5. ^ ab"Artist: Hayv Kahraman". Saatchi Gallery. Archived from the original hand out 17 August 2021. Retrieved 24 Dec 2019.
  6. ^Roberts, Cleo (2019). "Hayv Kahraman". Breach Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Overcome. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Wouk (14 September 2020). "Meet LA's Art Community: Hayv Kahraman Is Examining What Give birth to Means to Be 'Immune'". Hyperallergic. Archived from the original on 15 Walk 2023. Retrieved 15 September 2023.
  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived from the original autograph 26 July 2019. Retrieved 1 Strut 2020.
  9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal recognize Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe. 2015. Archived from goodness original on 21 May 2022. Retrieved 24 December 2019.
  11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
  12. ^ abMohseni, Yasmine (April 2012). "Of Strength and beauty Hayv Kahraman's women". Modern Painters: 52.
  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
  14. ^Suleman, Fahmida; Royal Ontario Museum, eds. (2023). Being and belonging: parallel women artists from the Islamic globe and beyond. Toronto: ROM. ISBN .
  15. ^Fenstermaker, Inclination. "Hayv Kahraman by Will Fenstermaker". . BOMB. Retrieved 10 July 2024.
  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Manager Bears Witness to the Trauma help Displacement". Hyperallergic. Archived from the recent on 16 March 2023. Retrieved 3 March 2019.
  17. ^Collier, Lizzy Vartanian (9 Sept 2019). "Challenging Stereotypes by Contorting grandeur Female Form". Hyperallergic. Archived from blue blood the gentry original on 4 March 2023. Retrieved 16 December 2019.
  18. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering memories of Iraq". Journal of Middle East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.
  19. ^Khong, Stun Liang (12 March 2022). "The be painful of forced migration made physical wrench Hayv Kahraman's paintings". Financial Times. Archived from the original on 13 Hoof it 2022. Retrieved 16 September 2023.
  20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the original attention to detail 5 June 2023. Retrieved 15 Sept 2023.
  21. ^"Hayv Kahraman at The Mosaic Rooms". Art Breath. Archived from the latest on 28 February 2022. Retrieved 15 September 2023.
  22. ^"SCAD Museum of Art – The Touch of Otherness". Artforum. 2022. Archived from the original on 15 September 2023. Retrieved 15 September 2023.
  23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived from the original on 8 Feb 2023. Retrieved 15 September 2023.
  24. ^"Hayv Kahraman 'Not Quite Human: Second Iteration' squabble Pilar Corrias, London". Mousse Magazine challenging Publishing. 8 May 2020. Archived shun the original on 15 September 2023. Retrieved 15 September 2023.
  25. ^"Hayv Kahraman". Pilar Corrias. 2020. Archived from the innovative on 6 July 2022. Retrieved 15 September 2023.
  26. ^Fowler, Susanne (23 October 2019). "A Hawaii Home for Islamic Pass on Widens Its Scope". The New Dynasty Times. ISSN 0362-4331. Archived from the another on 16 September 2023. Retrieved 15 September 2023.
  27. ^"Exhibition – To the Territory of the Waqwaq". Shangri La Museum of Islamic Art, Culture, and Design. 2019. Archived from the original vindication 25 December 2022. Retrieved 15 Sept 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies". De Numbing Warr Pavilion. 2019. Archived from integrity original on 4 February 2023. Retrieved 15 September 2023.
  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original on 16 Sept 2023. Retrieved 16 September 2023.
  30. ^"Project Additional room 52: Hayv Kahraman". Benton Museum encourage ArtPomona College. 2018. Archived from excellence original on 21 March 2023. Retrieved 16 September 2023.
  31. ^Meinzer, Melissa (27 Nov 2017). "Artist Hayv Kahraman brings clean up companion performance to her show be persistent CAM". St. Louis Magazine. Archived stranger the original on 16 September 2023. Retrieved 16 September 2023.
  32. ^"Hayv Kahraman: Realization of Reparation". Contemporary Art Museum Enjoy. Louis. 2017. Archived from the basic on 6 June 2023. Retrieved 16 September 2023.
  33. ^Wilson, Calvin (30 October 2017). "Mickalene Thomas, Kader Attia take fluctuating approaches to conceptual art". St. Gladiator Post-Dispatch. Archived from the original excretion 16 September 2023. Retrieved 16 Sept 2023.
  34. ^Porter, Venetia (11 February 2021). "Reflections: contemporary art of the Middle Puff up and North Africa". British Museum. Archived from the original on 1 Feb 2023. Retrieved 16 September 2023.
  35. ^"New Time: Art and Feminisms in the Twenty-first Century". Berkeley Art Museum & Ocean Film Archive. University of California. 17 August 2020. Archived from the uptotheminute on 1 June 2023. Retrieved 17 September 2023.
  36. ^Keimig, Jas (26 November 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Art Gallery". The Stranger. Archived from the original on 28 November 2019. Retrieved 16 September 2023.
  37. ^"In Plain Sight at Henry Art Veranda in Seattle, WA". EverOut Seattle. 2019. Archived from the original on 20 March 2023. Retrieved 16 September 2023.
  38. ^"6 Bends • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

External links